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Today's Stichomancy for Elizabeth Taylor

The first excerpt represents the past or something you must release, and is drawn from The People That Time Forgot by Edgar Rice Burroughs:

happened--I had the proof of it before my eyes.

So enormous are the great carnivora of Caspak that they must feed perpetually to support their giant thews, and the result is that they will eat the meat of any other creature and will attack anything that comes within their ken, no matter how formidable the quarry. From later observation--I mention this as worthy the attention of paleontologists and naturalists--I came to the conclusion that such creatures as the cave-bear, the cave-lion and the saber-tooth tiger, as well as the larger carnivorous reptiles make, ordinarily, two kills a day--one in the morning and one after night. They immediately devour the


The People That Time Forgot
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar:

hard to be submissive. There was the morning work in the refectory, the stupid little girls to teach sewing, and the insatiable lamps that were so greedy for oil. And always the tender, boyish brown eyes, that looked so sorrowfully at the fragile, beautiful little sister, haunting, following, pleading.

Perchance, had Sister Josepha been in the world, the eyes would have been an incident. But in this home of self-repression and retrospection, it was a life-story. The eyes had gone their way, doubtless forgetting the little sister they pitied; but the little sister?

The days glided into weeks, the weeks into months. Thoughts of


The Goodness of St. Rocque and Other Stories
The third excerpt represents the future or something you must embrace, and is drawn from A Drama on the Seashore by Honore de Balzac:

not to feel ashamed of our happiness in presence of such misery?"

"Nothing is so cruelly painful as to have powerless desires," I answered. "Those two poor creatures, the father and son, will never know how keen our sympathy for them is, any more than the world will know how beautiful are their lives; they are laying up their treasures in heaven."

"Oh, how poor this country is!" she said, pointing to a field enclosed by a dry stone wall, which was covered with droppings of cow's dung applied symmetrically. "I asked a peasant-woman who was busy sticking them on, why it was done; she answered that she was making fuel. Could you have imagined that when those patches of dung have dried, human