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Today's Stichomancy for Elizabeth Taylor

The first excerpt represents the past or something you must release, and is drawn from The Gentle Grafter by O. Henry:

passenger agent, is now negotiating a peachcrate full of our railroad bonds with the Perry County Bank for a loan. My dear Colonel Rockingham, was that chicken gumbo or cracked goobers on the bill of fare in your note? Me and the conductor of fifty-six was having a dispute about it."

"Another white wings on the rocks!" hollers Caligula. "If I see any more I'll fire on 'em and swear they was torpedo-boats!"

The guide goes down again, and convoys into the lair a person in blue overalls carrying an amount of inebriety and a lantern. I am so sure that this is Major Tucker that I don't even ask him until we are up above; and then I discover that it is Uncle Timothy, the yard

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Four Arthurian Romances by Chretien DeTroyes:

take his wife with him. This request the King could not deny, and yet he would have had him stay. He gives him leave and begs him to return as soon as possible: for in the whole court there was no better or more gallant knight, save only his dear nephew Gawain; (25) with him no one could be compared. But next after him, he prized Erec most, and held him more dear than any other knight.

(Vv. 2293-2764.) Erec wished to delay no longer. As soon as he had the King's leave, he bid his wife make her preparations, and he retained as his escort sixty knights of merit with horses and with dappled and grey furs. As soon as he was ready for his

The third excerpt represents the future or something you must embrace, and is drawn from The Mountains by Stewart Edward White:

dawn, with the yellow of sunrise behind the mountains, they look like gauze streamers thrown out from the windows of morning to celebrate the solemn pageant of the passing of many hills.

Again, I know of a canon whose westerly wall is colored in the dull rich colors, the fantastic patterns of a Moorish tapestry. Umber, seal brown, red, terra- cotta, orange, Nile green, emerald, purple, cobalt blue, gray, lilac, and many other colors, all rich with the depth of satin, glow wonderful as the craftiest textures. Only here the fabric is five miles long and