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Today's Stichomancy for Elle Macpherson

The first excerpt represents the past or something you must release, and is drawn from The Art of War by Sun Tzu:

military rather than civil virtues to assimilate the governing of an army"--to that of a State, understood.]

15. (3) By employing the officers of his army without discrimination,

[That is, he is not careful to use the right man in the right place.]

through ignorance of the military principle of adaptation to circumstances. This shakes the confidence of the soldiers.

[I follow Mei Yao-ch`en here. The other commentators refer not to the ruler, as in SS. 13, 14, but to the officers he employs. Thus Tu Yu says: "If a general is ignorant of the


The Art of War
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tales of the Klondyke by Jack London:

lifting the webbed shoes and making the way easy. Passuk--how shall I say?--I took it for granted that she should do these things, and thought no more about it. For my mind was busy with other matters, and besides, I was young in years and knew little of woman. It was only on looking back that I came to understand.

"And the man became worthless. The dogs had little strength in them, but he stole rides on the sled when he lagged behind. Passuk said she would take the one sled, so the man had nothing to do. In the morning I gave him his fair share of grub and started him on the trail alone. Then the woman and I broke camp, packed the sleds, and harnessed the dogs. By midday, when the sun mocked

The third excerpt represents the future or something you must embrace, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson:

looked at me and craned and jostled. I remembered the folks that watched my house, and how the pastor had jumped in his pulpit at the bare sight of me; and the whole business seemed so out of the way that I rose and followed Case. The crowd opened again to let us through, but wider than before, the children on the skirts running and singing out, and as we two white men walked away they all stood and watched us.

"And now," said I, "what is all this about?"

"The truth is I can't rightly make it out myself. They have a down on you," says Case.

"Taboo a man because they have a down on him!" I cried. "I never