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Today's Stichomancy for Enrico Fermi

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Philosophy 4 by Owen Wister:

what not, and so, of course, we can't know about them--not until they reach us."

"Precisely," said the tutor. He had a suave and slightly alien accent.

"Well, just tell me how that proves a thunder-storm in a desert island makes no noise."

"If a thing is inaudible--" began the tutor,

"That's mere juggling!" vociferated the boy," That's merely the same kind of toy-shop brain-trick you gave us out of Greek philosophy yesterday, They said there was no such thing as motion because at every instant of time the moving body had to be somewhere, so how could it get anywhere else? Good Lord! I can make up foolishness like that myself.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Foolish Virgin by Thomas Dixon:

head.

"That's just the trouble: you can't do it with your fists. You can't compel the respect of cultured men and women by physical force. We've got to win with other weapons."

"All right, Kiddo--dope it out for me," he responded lazily. "Dope it out----"

Her lips quivered with the painful recognition of the task before her. Yet when she spoke, her voice was low and sweet and its tones even. She gave no sign to the man whose heavy form rested in her arms.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Somebody's Little Girl by Martha Young:

The nurse that always had played so nicely with the tiny little girl was lying with her cheek in her hand over yonder.

The Grandmother who had always talked so much to the tiny little girl was not talking any more.

The tiny little girl was so sick that she only just could breathe quickly, just so--and just so--.

If Bessie Bell could remember that, it was only that she remembered the big white cat like a big soft dream. And she might have remembered how, now and then, the big cat put out a paw and touched the little girl's cheek, like a soft white dream-touch.

And that little girl had on a night-gown that was long, and soft,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from This Side of Paradise by F. Scott Fitzgerald:

only the occasional scratch of a match or the rustle of leather as they shifted in their chairs broke the stillness. Then like a zigzag of lightning came the change. Amory sat bolt upright, frozen cold in his chair. Tom was looking at him with his mouth drooping, eyes fixed. "God help us!" Amory cried. "Oh, my heavens!" shouted Tom, "look behind!" Quick as a flash Amory whirled around. He saw nothing but the dark window-pane. "It's gone now," came Tom's voice after a second in a still terror. "Something was looking at you." Trembling violently, Amory dropped into his chair again.


This Side of Paradise