| The first excerpt represents the past or something you must release, and is drawn from Love Songs by Sara Teasdale: Delicate and gleaming,
Do you mind in years gone by
All my dreaming?
Spring was like a call to me
That I could not answer,
I was chained to loneliness,
I, the dancer.
Willow, twinkling in the sun,
Still your leaves and hear me,
I can answer spring at last,
Love is near me!
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Atheist's Mass by Honore de Balzac: on foot. By turns rough and kind, harsh and covetous on the
surface, but capable of offering his whole fortune to his exiled
masters--who did him the honor of accepting it for a few days--no
man ever gave rise to such contradictory judgements. Although to
obtain a black ribbon, which physicians ought not to intrigue
for, he was capable of dropping a prayer-book out of his pocket
at Court, in his heart he mocked at everything; he had a deep
contempt for men, after studying them from above and below, after
detecting their genuine expression when performing the most
solemn and the meanest acts of their lives.
The qualities of a great man are often federative. If among these
|
The third excerpt represents the future or something you must embrace, and is drawn from The Jolly Corner by Henry James: proved beautifully possible.
These were items of property indeed, but he had found himself since
his arrival distinguishing more than ever between them. The house
within the street, two bristling blocks westward, was already in
course of reconstruction as a tall mass of flats; he had acceded,
some time before, to overtures for this conversion - in which, now
that it was going forward, it had been not the least of his
astonishments to find himself able, on the spot, and though without
a previous ounce of such experience, to participate with a certain
intelligence, almost with a certain authority. He had lived his
life with his back so turned to such concerns and his face
|