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Today's Stichomancy for Erwin Schroedinger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

well-shod feet the dryer spots upon the pavements.

The restless doors of saloons, clashing to and fro, disclosed animated rows of men before bars and hurrying barkeepers.

A concert hall gave to the street faint sounds of swift, machine-like music, as if a group of phantom musicians were hastening.

A tall young man, smoking a cigarette with a sublime air, strolled near the girl. He had on evening dress, a moustache, a chrysanthemum, and a look of ennui, all of which he kept carefully under his eye. Seeing the girl walk on as if such a young man as he was not in existence, he looked back transfixed with interest.


Maggie: A Girl of the Streets
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

hand at the moment, together with other matters that were in progress. The artist, meanwhile, could scarcely lift his head. There was nothing so antipodal to his nature as this man's cold, unimaginative sagacity, by contact with which everything was converted into a dream except the densest matter of the physical world. Owen groaned in spirit and prayed fervently to be delivered from him.

"But what is this?" cried Peter Hovenden abruptly, taking up a dusty bell glass, beneath which appeared a mechanical something, as delicate and minute as the system of a butterfly's anatomy. "What have we here? Owen! Owen! there is witchcraft in these


Mosses From An Old Manse
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from My Bondage and My Freedom by Frederick Douglass:

things thought and felt, while I sat on the bank and watched that mill, and the turning of that ponderous wheel. The mill-pond, too, had its charms; and with my pinhook, and thread line, I could get _nibbles_, if I could catch no fish. But, in all my sports and plays, and in spite of them, there would, occasionally, come the painful foreboding that I was not long to remain there, and that I must soon be called away to the home of old master.

I was A SLAVE--born a slave and though the fact was in <35 DEPARTURE FROM TUCKAHOE>comprehensible to me, it conveyed to my mind a sense of my entire dependence on the will of _somebody_ I


My Bondage and My Freedom
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Voyage to Abyssinia by Father Lobo:

hath always continued in the same family. An authentic genealogy traced up so high could not but be extremely curious; and with good reason might the Emperors of Abyssinia boast themselves the most illustrious and ancient family in the world. But there are no real grounds for imagining that Providence has vouchsafed them so distinguishing a protection, and from the wars with which this empire hath been shaken in these latter ages we may justly believe that, like all others, it has suffered its revolutions, and that the history of the Abyssins is corrupted with fables. This empire is known by the name of the kingdom of Prester-John. For the Portuguese having heard such wonderful relations of an ancient and