| The first excerpt represents the past or something you must release, and is drawn from Pierrette by Honore de Balzac: whiteness of her skin, a symptom of illness entirely overlooked by the
ignorant old maid, made her exquisitely lovely. Sylvie took it into
her head to balance the cost which Pierrette had been to them by
making a servant of her. All the /habitues/ of the house to whom she
spoke of the matter advised that she should send away Adele. Why
shouldn't Pierrette take care of the house and cook? If there was too
much work at any time Mademoiselle Rogron could easily employ the
colonel's woman-of-all-work, an excellent cook and a most respectable
person. Pierrette ought to learn how to cook, and rub floors, and
sweep, said the lawyer; every girl should be taught to keep house
properly and go to market and know the price of things. The poor
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Apology by Plato: defence is unnecessary, but I know only too well how many are the enmities
which I have incurred, and this is what will be my destruction if I am
destroyed;--not Meletus, nor yet Anytus, but the envy and detraction of the
world, which has been the death of many good men, and will probably be the
death of many more; there is no danger of my being the last of them.
Some one will say: And are you not ashamed, Socrates, of a course of life
which is likely to bring you to an untimely end? To him I may fairly
answer: There you are mistaken: a man who is good for anything ought not
to calculate the chance of living or dying; he ought only to consider
whether in doing anything he is doing right or wrong--acting the part of a
good man or of a bad. Whereas, upon your view, the heroes who fell at Troy
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The third excerpt represents the future or something you must embrace, and is drawn from Two Poets by Honore de Balzac: Mme. de Bargeton's presence of mind put an end to the jeremiads of the
noblesse. Great natures are prone to make a virtue of misfortune; and
there is something irresistibly attractive about well-doing when
persisted in through evil report; innocence has the piquancy of the
forbidden.
Mme. de Bargeton's rooms were crowded that evening with friends who
came to remonstrate with her. She brought her most caustic wit into
play. She said that as noble families could not produce a Moliere, a
Racine, a Rousseau, a Voltaire, a Massillon, a Beaumarchais, or a
Diderot, people must make up their minds to it, and accept the fact
that great men had upholsterers and clockmakers and cutlers for their
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