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Today's Stichomancy for Eva Mendes

The first excerpt represents the past or something you must release, and is drawn from The Snow Image by Nathaniel Hawthorne:

was always in his mind, whenever he looked upon the Great Stone Face. He spent his childhood in the log-cottage where he was born, and was dutiful to his mother, and helpful to her in many things, assisting her much with his little hands, and more with his loving heart. In this manner, from a happy yet often pensive child, he grew up to be a mild, quiet, unobtrusive boy, and sun-browned with labor in the fields, but with more intelligence brightening his aspect than is seen in many lads who have been taught at famous schools. Yet Ernest had had no teacher, save only that the Great Stone Face became one to him. When the toil of the day was over, he would gaze at it for hours, until he


The Snow Image
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Fables by Robert Louis Stevenson:

her manner of smiling,"

"They are wonderful well-grown lads," said the second, "and I like their gravity."

And then the two Kings looked at each other, and said, "The thing may come about".

And in the meanwhile the two lads looked upon the maid, and the one grew pale and the other red; and the maid looked upon the ground smiling.

"Here is the maid that I shall marry," said the elder. "For I think she smiled upon me."

But the younger plucked his father by the sleeve. "Father," said

The third excerpt represents the future or something you must embrace, and is drawn from Little Britain by Washington Irving:

In this most venerable and sheltered little nest have I passed several quiet years of existence, comfortably lodged in the second floor of one of the smallest but oldest edifices. My sitting-room is an old wainscoted chamber, with small panels, and set off with a miscellaneous array of furniture. I have a particular respect for three or four high-backed claw-footed chairs, covered with tarnished brocade, which bear the marks of having seen better days, and have doubtless figured in some of the old palaces of Little Britain. They seem to me to keep together, and to look down with sovereign contempt upon their leathern-bottomed neighbors: as I have seen decayed