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Today's Stichomancy for Famke Janssen

The first excerpt represents the past or something you must release, and is drawn from The Soul of the Far East by Percival Lowell:

another row of lions, brown instead of white. The second story is no less crowded with carving. Twelve pillars make its ribs, the spaces between being filled with elaborate woodwork, while on top rest more friezes, more cornices, clustered with excrescences of all colors and kinds, and guarded by lions innumerable. To begin to tell the details of so multi-faceted a gem were artistically impossible. It is a jewel of a thousand rays, yet whose beauties blend into one as the prismatic tints combine to white. And then, after the first dazzle of admiration, when the spirit of curiosity urges you to penetrate the centre aisle, lo and behold it is but a gate! The dupe of unexpected splendor, you have been paying court to the means of

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Black Arrow by Robert Louis Stevenson:

without excuse or favour. For, bethink ye, in this realm of England, that is so torn in pieces, there is not a man of mine but hath a brother or a friend upon the other party. If, then, I did begin to grant these pardons, I might sheathe my sword."

"It may be so, my lord; and yet I will be overbold, and at the risk of your disfavour, recall your lordship's promise," replied Dick.

Richard of Gloucester flushed.

"Mark it right well," he said, harshly. "I love not mercy, nor yet mercymongers. Ye have this day laid the foundations of high fortune. If ye oppose to me my word, which I have plighted, I will yield. But, by the glory of heaven, there your favour dies!

The third excerpt represents the future or something you must embrace, and is drawn from The Mysterious Affair at Styles by Agatha Christie:

"Yes--more or less."

"You will recollect, then, that Mrs. Inglethorp wrote a very distinctive hand, and left large clear spaces between her words. But if you look at the date at the top of the letter you will notice that 'July 17th' is quite different in this respect. Do you see what I mean?"

"No," I confessed, "I don't."

"You do not see that that letter was not written on the 17th, but on the 7th--the day after Miss Howard's departure? The '1' was written in before the '7' to turn it into the '17th'."

"But why?"


The Mysterious Affair at Styles