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Today's Stichomancy for Federico Fellini

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Misalliance by George Bernard Shaw:

BENTLEY. Yes, I know: I beg your pardon. _[He rises, and extricates himself from them]_ Thats all right. Johnny frightened me. You know how easy it is to hurt me; and I'm too small to defend myself against Johnny.

MRS TARLETON. Johnny: how often have I told you that you must not bully the little ones. I thought youd outgrown all that.

HYPATIA. _[angrily]_ I do declare, mamma, that Johnny's brutality makes it impossible to live in the house with him.

JOHNNY. _[deeply hurt]_ It's twenty-seven years, mother, since you had that row with me for licking Robert and giving Hypatia a black eye because she bit me. I promised you then that I'd never raise my hand

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Catriona by Robert Louis Stevenson:

have heard him proffer menaces against Glenure; and though you assure us he was not the man who fired, you leave a strong impression that he was in league with him, and consenting, perhaps immediately assisting, in the act. You show him besides, at the risk of his own liberty, actively furthering the criminal's escape. And the rest of your testimony (so far as the least material) depends on the bare word of Alan or of James, the two accused. In short, you do not at all break, but only lengthen by one personage, the chain that binds our client to the murderer; and I need scarcely say that the introduction of a third accomplice rather aggravates that appearance of a conspiracy which has been our stumbling block from the beginning."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Edition of The Ambassadors by Henry James:

We're abysses." At last she smiled. "But I risk her!"

He gave himself a shake. "Well then so do I!" But he added as they passed into the house that he would see Chad the first thing in the morning.

This was the next day the more easily effected that the young man, as it happened, even before he was down, turned up at his hotel. Strether took his coffee, by habit, in the public room; but on his descending for this purpose Chad instantly proposed an adjournment to what he called greater privacy. He had himself as yet had nothing--they would sit down somewhere together; and when after a few steps and a turn into the Boulevard they had, for their greater

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Louis Lambert by Honore de Balzac:

that, I would accept the outward indigence of a sage possessed of both heaven and heart. A man need only never stoop, to remain lofty in poverty. He who struggles and endures, while marching on to a glorious end, presents a noble spectacle; but who can have the strength to fight here? We can climb cliffs, but it is unendurable to remain for ever tramping the mud. Everything here checks the flight of the spirit that strives towards the future.

"I should not be afraid of myself in a desert cave; I am afraid of myself here. In the desert I should be alone with myself, undisturbed; here man has a thousand wants which drag him down. You go out walking, absorbed in dreams; the voice of the beggar


Louis Lambert