Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Fidel Castro

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

baleful gaze upon the altar. La staggered forward, reeled, and fell across Werper in a swoon.

6

The Arab Raid

After their first terror had subsided subsequent to the shock of the earthquake, Basuli and his warriors hastened back into the passageway in search of Tarzan and two of their own number who were also missing.

They found the way blocked by jammed and distorted rock. For two days they labored to tear a way through to their imprisoned friends; but when, after Herculean


Tarzan and the Jewels of Opar
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Awakening & Selected Short Stories by Kate Chopin:

the children, and the drawing-room went undusted. But the housemaid, too, served her term as model when Edna perceived that the young woman's back and shoulders were molded on classic lines, and that her hair, loosened from its confining cap, became an inspiration. While Edna worked she sometimes sang low the little air, "Ah! si tu savais!"

It moved her with recollections. She could hear again the ripple of the water, the flapping sail. She could see the glint of the moon upon the bay, and could feel the soft, gusty beating of the hot south wind. A subtle current of desire passed through her body, weakening her hold upon the brushes and making her eyes burn.


Awakening & Selected Short Stories
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Man of Business by Honore de Balzac:

" 'If ever I longed to kill a man,' so the Count told me afterwards, 'it was at that moment; but what could one do? Hortense showed her pretty face, one had to laugh. To keep my dignity, I flung her the six hundred francs. "There's for the girl," said I.' "

"That is Maxime all over!" cried La Palferine.

"More especially as it was little Croizeau's money," added Cardot the profound.

"Maxime scored a triumph," continued Desroches, "for Hortense exclaimed, 'Oh, if I had only known that it was you!' "

"A pretty 'confusion' indeed!" put in Malaga. "You have lost, milord," she added turning to the notary.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

as a form of LUXURY, as an archaizing TASTE. Variations, whether they be deviations (into the higher, finer, and rarer), or deteriorations and monstrosities, appear suddenly on the scene in the greatest exuberance and splendour; the individual dares to be individual and detach himself. At this turning-point of history there manifest themselves, side by side, and often mixed and entangled together, a magnificent, manifold, virgin-forest-like up-growth and up-striving, a kind of TROPICAL TEMPO in the rivalry of growth, and an extraordinary decay and self- destruction, owing to the savagely opposing and seemingly exploding egoisms, which strive with one another "for sun and


Beyond Good and Evil