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Today's Stichomancy for Fidel Castro

The first excerpt represents the past or something you must release, and is drawn from The Return of Tarzan by Edgar Rice Burroughs:

appreciate his company.

They were standing on deck at a point which was temporarily deserted, and as Tarzan came upon them they were in heated argument with a woman. Tarzan noted that she was richly appareled, and that her slender, well-modeled figure denoted youth; but as she was heavily veiled he could not discern her features.

The men were standing on either side of her, and the backs of all were toward Tarzan, so that he was quite close to them without their being aware of his presence. He noticed that Rokoff seemed to be threatening, the woman


The Return of Tarzan
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

same reckoning, even a respectable man. The academic view starts with a Shakespear who was not scurrilous; therefore the verses about "lousy Lucy" cannot have been written by him, and the cognate passages in the plays are either strokes of character-drawing or gags interpolated by the actors. This ideal Shakespear was too well behaved to get drunk; therefore the tradition that his death was hastened by a drinking bout with Jonson and Drayton must be rejected, and the remorse of Cassio treated as a thing observed, not experienced: nay, the disgust of Hamlet at the drinking customs of Denmark is taken to establish Shakespear as the superior of Alexander in self-control, and the greatest of teetotallers.

The third excerpt represents the future or something you must embrace, and is drawn from A Man of Business by Honore de Balzac:

"The same," continued Desroches.

"It was the only mistake Maxime ever made in his life. But what would you have, no vice is absolutely perfect?" put in Bixiou.

"Maxime had still to learn what sort of a life a man may be led into by a girl of eighteen when she is minded to take a header from her honest garret into a sumptuous carriage; it is a lesson that all statesmen should take to heart. At this time, de Marsay had just been employing his friend, our friend de Trailles, in the high comedy of politics. Maxime had looked high for his conquests; he had no experience of untitled women; and at fifty years he felt that he had a right to take a bite of the so-called wild fruit, much as a sportsman