Today's Stichomancy for Francis Ford Coppola

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Apology by Plato:

sureties for the payment of the fine which he proposed has the appearance of truth. More suspicious is the statement that Socrates received the first impulse to his favourite calling of cross-examining the world from the Oracle of Delphi; for he must already have been famous before Chaerephon went to consult the Oracle (Riddell), and the story is of a kind which is very likely to have been invented. On the whole we arrive at the conclusion that the Apology is true to the character of Socrates, but we cannot show that any single sentence in it was actually spoken by him. It breathes the spirit of Socrates, but has been cast anew in the mould of Plato.

There is not much in the other Dialogues which can be compared with the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

was obvious.

I went back to Bradley and told him what I had discovered. "And," I concluded, "we can't make another five hundred knots without oil; our provisions are running low and so is our water. God only knows how far south we have run."

"There is nothing to do," he replied, "other than to alter our course once more toward the west; we must raise land soon or we shall all be lost."

I told him to do so; and then I set to work improvising a crude sextant with which we finally took our bearings in a rough and most unsatisfactory manner; for when the work was done, we did

The Land that Time Forgot

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Heritage of the Desert by Zane Grey:

cottonwoods. Eschtah, magnificent in robes of state, stood up with them. The many members of Naab's family and the grave Navajos formed an attentive circle around them. The ceremony was brief. At its close the Mormon lifted his face and arms in characteristic invocation.

"Almighty God, we entreat Thy blessing upon this marriage. Many and inscrutable are Thy ways; strange are the workings of Thy will; wondrous the purpose with which Thou hast brought this man and this woman together. Watch over them in the new path they are to tread, help them in the trials to come; and in Thy good time, when they have reached the fulness of days, when they have known the joy of life and rendered their service, gather them to Thy bosom in that eternal home where we all pray

The Heritage of the Desert

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Black Beauty by Anna Sewell:

and I limped and hobbled on as well as I could with great pain. I am sure he was sorry for me, for he often patted and encouraged me, talking to me in a pleasant voice.

At last I reached my own box, and had some corn; and after Robert had wrapped up my knees in wet cloths, he tied up my foot in a bran poultice, to draw out the heat and cleanse it before the horse-doctor saw it in the morning, and I managed to get myself down on the straw, and slept in spite of the pain.

The next day after the farrier had examined my wounds, he said he hoped the joint was not injured; and if so, I should not be spoiled for work, but I should never lose the blemish. I believe they did the best