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Today's Stichomancy for Francis Ford Coppola

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

Dessert took a long time. Zoe did not remove the cloth before serving the coffee. Indeed, the ladies simply pushed back their plates before taking it. They talked continually of yesterday's charming evening. Nana kept rolling cigarettes, which she smoked, swinging up and down on her backward-tilted chair. And as Zoe had remained behind and was lounging idly against the sideboard, it came about that the company were favored with her history. She said she was the daughter of a midwife at Bercy who had failed in business. First of all she had taken service with a dentist and after that with an insurance agent, but neither place suited her, and she thereupon enumerated, not without a certain amount of pride, the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Baby Mine by Margaret Mayo:

turned a temporarily blanched face to Aggie. "Is that better?" she asked.

"Very much," answered Aggie, "but how about your hair?"

"What's the matter with it?" asked Zoie. Her reflection betrayed a coiffure that might have turned Marie Antoinette green with envy.

"Would anybody think you'd been in bed for days?" asked Aggie.

"Alfred likes it that way," was Zoie's defence.

"Turn around," said Aggie, without deigning to argue the matter further. And she began to remove handfuls of hairpins from the yellow knotted curls.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Babbitt by Sinclair Lewis:

motorist's gift of being able to drive when he could scarce walk; of slowing down at corners and allowing for approaching cars. He came wambling into the house. If Verona and Kenneth Escott were about, he got past them with a hasty greeting, horribly aware of their level young glances, and hid himself up-stairs. He found when he came into the warm house that he was hazier than he had believed. His head whirled. He dared not lie down. He tried to soak out the alcohol in a hot bath. For the moment his head was clearer but when he moved about the bathroom his calculations of distance were wrong, so that he dragged down the towels, and knocked over the soap-dish with a clatter which, he feared, would betray him to the children. Chilly in his dressing-gown he tried to read the evening paper. He could follow every word; he seemed to take

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

Jane was not married before she left with her father and Esmeralda for her little Wisconsin farm, and as she coldly bid Robert Canler goodby as her train pulled out, he called to her that he would join them in a week or two.

At their destination they were met by Clayton and Mr. Philander in a huge touring car belonging to the former, and quickly whirled away through the dense northern woods toward the little farm which the girl had not visited before since childhood.

The farmhouse, which stood on a little elevation some hundred yards from the tenant house, had undergone a complete


Tarzan of the Apes