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Today's Stichomancy for Francisco de Paula Santander

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

savory preparation. Perchance, amid their proper element of smoke, which eddied forth from the ill-constructed chimney, the ghosts of departed cook-maids looked wonderingly on, or peeped down the great breadth of the flue, despising the simplicity of the projected meal, yet ineffectually pining to thrust their shadowy hands into each inchoate dish. The half-starved rats, at any rate, stole visibly out of their hiding-places, and sat on their hind-legs, snuffing the fumy atmosphere, and wistfully awaiting an opportunity to nibble.

Hepzibah had no natural turn for cookery, and, to say the truth, had fairly incurred her present meagreness by often choosing to go without her dinner rather than be attendant on the rotation of


House of Seven Gables
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson:

play dignity - or else going down to Apia on some more or less unsatisfactory errand. Altogether it is a life that suits me, but it absorbs me like an ocean. That is what I have always envied and admired in Scott; with all that immensity of work and study, his mind kept flexible, glancing to all points of natural interest. But the lean hot spirits, such as mine, become hypnotised with their bit occupations - if I may use Scotch to you - it is so far more scornful than any English idiom. Well, I can't help being a skeleton, and you are to take this devious passage for an apology.

I thought ALADDIN capital fun; but why, in fortune, did he pretend it was moral at the end? The so-called nineteenth century, OU VA-

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Lost Princess of Oz by L. Frank Baum:

directly at the Frogman, or even toward him, fearing he would shed tears if he did so; so the big frog slept on the riverbank where he could hear little frogs croaking in the river all the night through. But that did not keep him awake; it merely soothed him to slumber, for he realized how much superior he was to them.

Just as the sun was rising on a new day, the ferryman rowed the two travelers across the river--keeping his back to the Frogman all the way--and then Cayke thanked him and bade him goodbye and the ferryman rowed home again.

On this side of the river, there were no paths at all, so it was evident they had reached a part of the country little


The Lost Princess of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

Nevertheless, the men went safely across the lawn with the wild beasts frisking about them, and doing no manner of harm; although, as they mounted the steps of the palace, you might possibly have heard a low growl, particularly from the wolves; as if they thought it a pity, after all, to let the strangers pass without so much as tasting what they were made of.

Eurylochus and his followers now passed under a lofty portal, and looked through the open doorway into the interior of the palace. The first thing that they saw was a spacious hall, and a fountain in the middle of it, gushing up towards the ceiling out of a marble basin, and falling back into it with a


Tanglewood Tales