Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Francisco de Paula Santander

The first excerpt represents the past or something you must release, and is drawn from The Scarecrow of Oz by L. Frank Baum:

"Why, it's a melon!" cried Trot delightedly, as she saw what had caused the sailor to fall.

Cap'n Bill rose to his foot, for he was not at all hurt, and examined the melon. Then he took his big jackknife from his pocket and cut the melon open. It was quite ripe and looked delicious; but the old man tasted it before he permitted Trot to eat any. Deciding it was good he gave her a big slice and then offered the Ork some. The creature looked at the fruit somewhat disdainfully, at first, but once he had tasted its flavor he ate of it as heartily as did the others.


The Scarecrow of Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Human Drift by Jack London:

JACK HEMINGWAY, Her husband.

MAID.

A WICKED WOMAN

[Curtain rises on a conventional living room of a country house in California. It is the Hemingway house at Santa Clara. The room is remarkable for magnificent stone fireplace at rear centre. On either side of fireplace are generous, diamond-paned windows. Wide, curtained doorways to right and left. To left, front, table, with vase of flowers and chairs. To right, front, grand piano.]

[Curtain discovers LORETTA seated at piano, not playing, her back

The third excerpt represents the future or something you must embrace, and is drawn from The Varieties of Religious Experience by William James:

no one of them so fine as to consist in anything but a possible difference of practice. To attain perfect clearness in our thoughts of an object, we need then only consider what sensations, immediate or remote, we are conceivably to expect from it, and what conduct we must prepare in case the object should be true. Our conception of these practical consequences is for us the whole of our conception of the object, so far as that conception has positive significance at all.

This is the principle of Peirce, the principle of pragmatism. Such a principle will help us on this occasion to decide, among the various attributes set down in the scholastic inventory of