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Today's Stichomancy for Francisco de Paula Santander

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Message by Honore de Balzac:

are as nothing; there were involuntary tremors and alarms; and, above all, the thought that it was tiresome to have an unexpected guest just now, when, no doubt, she had been scheming to enjoy full solitude for her love. This mute eloquence I understood in her eyes, and all the pity and compassion in me made answer in a sad smile. I thought of her, as I had seen her for one moment, in the pride of her beauty; standing in the sunny afternoon in the narrow alley with the flowers on either hand; and as that fair wonderful picture rose before my eyes, I could not repress a sigh.

"Alas, madame, I have just made a very arduous journey----,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson:

answered never a word, and seemed to listen with an ill-contained impatience. And then all of a sudden he broke out in a great flame of anger, stamping with his foot, brandishing the cane, and carrying on (as the maid described it) like a madman. The old gentleman took a step back, with the air of one very much surprised and a trifle hurt; and at that Mr. Hyde broke out of all bounds and clubbed him to the earth. And next moment, with ape-like fury, he was trampling his victim under foot and hailing down a storm of blows, under which the bones were audibly shattered and the body jumped upon the roadway. At the horror of these sights and sounds, the maid fainted.


The Strange Case of Dr. Jekyll and Mr. Hyde
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

slowly, dropping their lids with a movement of noble modesty. None but a monster would have been capable of imagining hypocrisy in the graceful undulation of the neck with which the princess again lifted her charming head, to look once more into the eager eyes of that great man.

"Can I? ought I?" she murmured, with a gesture of hesitation, gazing at d'Arthez with a sublime expression of dreamy tenderness. "Men have so little faith in things of this kind; they think themselves so little bound to be discreet!"

"Ah! if you distrust me, why am I here?" cried d'Arthez.

"Oh, friend!" she said, giving to the exclamation the grace of an

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sarrasine by Honore de Balzac:

formed a series of yellow ruffles on his breast; but upon him the lace seemed rather a worthless rag than an ornament. In the centre of the frill a diamond of inestimable value gleamed like a sun. That superannuated splendor, that display of treasure, of great intrinsic worth, but utterly without taste, served to bring out in still bolder relief the strange creature's face. The frame was worthy of the portrait. That dark face was full of angles and furrowed deep in every direction; the chin was furrowed; there were great hollows at the temples; the eyes were sunken in yellow orbits. The maxillary bones, which his indescribable gauntness caused to protrude, formed deep cavities in the centre of both cheeks. These protuberances, as the