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Today's Stichomancy for Francisco de Paula Santander

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Parmenides by Plato:

unlikeness, some and other, generation and corruption, odd and even. For if they had these they would partake either of one opposite, and this would be a participation in one; or of two opposites, and this would be a participation in two. Thus if one exists, one is all things, and likewise nothing, in relation to one and to the others.

2.a. But, again, assume the opposite hypothesis, that the one is not, and what is the consequence? In the first place, the proposition, that one is not, is clearly opposed to the proposition, that not one is not. The subject of any negative proposition implies at once knowledge and difference. Thus 'one' in the proposition--'The one is not,' must be something known, or the words would be unintelligible; and again this 'one

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Peter Pan by James M. Barrie:

mocassins with the heels in front. The found only one hillock with a stream at its base, so that Hook had no choice; here he must establish himself and wait for just before the dawn. Everything being thus mapped out with almost diabolical cunning, the main body of the redskins folded their blankets around them, and in the phlegmatic manner that is to them, the pearl of manhood squatted above the children's home, awaiting the cold moment when they should deal pale death.

Here dreaming, though wide-awake, of the exquisite tortures to which they were to put him at break of day, those confiding savages were found by the treacherous Hook. From the accounts


Peter Pan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sanitary and Social Lectures by Charles Kingsley:

All I can do this afternoon is to keep to my own key-note, and say, Visit whom, when, and where you will; but let your visits be those of woman to woman. Consider to whom you go--to poor souls whose life, compared with yours, is one long malaise of body, and soul, and spirit--and do as you would be done by; instead of reproving and fault-finding, encourage. In God's name, encourage. They scramble through life's rocks, bogs, and thornbrakes, clumsily enough, and have many a fall, poor things! But why, in the name of a God of love and justice, is the lady, rolling along the smooth turnpike-road in her comfortable carriage, to be calling out all day long to the poor soul who drags on beside her

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Pupil by Henry James:

young ladies were not at all timid, but it was just the safeguards that made them so candidly free. It was a houseful of Bohemians who wanted tremendously to be Philistines.

In one respect, however, certainly they achieved no rigour - they were wonderfully amiable and ecstatic about Morgan. It was a genuine tenderness, an artless admiration, equally strong in each. They even praised his beauty, which was small, and were as afraid of him as if they felt him of finer clay. They spoke of him as a little angel and a prodigy - they touched on his want of health with long vague faces. Pemberton feared at first an extravagance that might make him hate the boy, but before this happened he had