Today's Stichomancy for Francisco de Paula Santander

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Twenty Years After by Alexandre Dumas:

probably added poverty, for he must have neglected the little that he had, and the dirty scoundrel, Grimaud, more taciturn than ever and still more drunken than his master -- stay, Planchet, it breaks my heart to merely think of it."

"I fancy myself there and that I see him staggering and hear him stammering," said Planchet, in a piteous tone, "but at all events we shall soon know the real state of things, for I imagine that those lofty walls, now turning ruby in the setting sun, are the walls of Blois."

"Probably; and those steeples, pointed and sculptured, that we catch a glimpse of yonder, are similar to those that I

Twenty Years After

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Patchwork Girl of Oz by L. Frank Baum:

of any person dying in the Land of Oz, but he knew one could suffer a great deal of pain. His greatest fear at this time was that he would always remain imprisoned in the beautiful leaf and never see the light of day again.

No sound came to him through the leaf; all around was intense silence. Ojo wondered if Scraps had stopped screaming, or if the folds of the leaf prevented his hearing her. By and by he thought he heard a whistle, as of some one whistling a tune. Yes; it really must be some one whistling, he

The Patchwork Girl of Oz

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Rivers to the Sea by Sara Teasdale:

Dark air behind, and I should mount and be One among many who are thrilled to feel The first keen sea-breath from the open sea.

THE LIGHTS OF NEW YORK

THE lightning spun your garment for the night Of silver filaments with fire shot thru, A broidery of lamps that lit for you The steadfast splendor of enduring light. The moon drifts dimly in the heaven's height, Watching with wonder how the earth she knew That lay so long wrapped deep in dark and dew,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

memory of Lord Hermiston. And Kirstie had been swift to understand and quick to choke down and smother the understanding; swift to leap up in flame at a mention of that hope, which spoke volumes to her vanity and her love, that she might one day be Mrs. Weir of Hermiston; swift, also, to recognise in his stumbling or throttled utterance the death-knell of these expectations, and constant, poor girl! in her large-minded madness, to go on and to reck nothing of the future. But these unfinished references, these blinks in which his heart spoke, and his memory and reason rose up to silence it before the words were well uttered, gave her unqualifiable agony. She was raised up and dashed down again bleeding. The recurrence of the subject forced her, for