The first excerpt represents the past or something you must release, and is drawn from Paradise Lost by John Milton: Some advantageous act may be achieved
By sudden onset--either with Hell-fire
To waste his whole creation, or possess
All as our own, and drive, as we were driven,
The puny habitants; or, if not drive,
Seduce them to our party, that their God
May prove their foe, and with repenting hand
Abolish his own works. This would surpass
Common revenge, and interrupt his joy
In our confusion, and our joy upraise
In his disturbance; when his darling sons,
Paradise Lost |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Charmides and Other Poems by Oscar Wilde: ROME UNVISITED
I.
The corn has turned from grey to red,
Since first my spirit wandered forth
From the drear cities of the north,
And to Italia's mountains fled.
And here I set my face towards home,
For all my pilgrimage is done,
Although, methinks, yon blood-red sun
Marshals the way to Holy Rome.
O Blessed Lady, who dost hold
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The third excerpt represents the future or something you must embrace, and is drawn from Summer by Edith Wharton: outburst of cheers caught up the cry, and as they
subsided Charity heard Mr. Miles saying to someone near
him: "That was a MAN talking----" He wiped his
spectacles.
Mr. Royall had stepped back from the desk, and
taken his seat in the row of chairs in front of
the harmonium. A dapper white-haired gentleman--a
distant Hatchard--succeeded him behind the goldenrod,
and began to say beautiful things about the old oaken
bucket, patient white-haired mothers, and where the
boys used to go nutting...and Charity began again to
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