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Today's Stichomancy for Frank Sinatra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Enchanted Island of Yew by L. Frank Baum:

"Then why don't you begin?" inquired the prince.

"Why don't I begin? Why, I haven't got the enchantments with me, that's why. Do you suppose we great magicians carry around enchantments in our pockets?" returned the other, in a milder tone.

"Where do you keep your enchantments?" asked the prince.

"They're in my dwelling," snapped Kwytoffle, taking off his hat and fanning his fat face with the brim.

"Then go and get them," said Marvel.

"Nonsense! If I went to get the enchantments you would all run away!" retorted the sorcerer.

"Not so!" protested Nerle, who was beginning to be amused. "My


The Enchanted Island of Yew
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Collected Articles by Frederick Douglass:

a white man holding no slaves was usually an ignorant and poverty-stricken man, and men of this class were contemptuously called "poor white trash." Hence I supposed that, since the non-slave-holders at the South were ignorant, poor, and degraded as a class, the non-slave-holders at the North must be in a similar condition. I could have landed in no part of the United States where I should have found a more striking and gratifying contrast, not only to life generally in the South, but in the condition of the colored people there, than in New Bedford. I was amazed when Mr. Johnson told me that there was nothing in the laws or constitution of Massachusetts that would prevent a colored man from being governor of the State, if the people should see fit to elect him. There, too, the black man's

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Some Reminiscences by Joseph Conrad:

plate by their high-voiced, broad-browed wives, talked to their daughters--thick-set girls, with pure profiles, glorious masses of black hair arranged with complicated art, dark eyes, and dazzlingly white teeth.

I had also other acquaintances of quite a different sort. One of them, Madame Delestang, an imperious, handsome lady in a statuesque style, would carry me off now and then on the front seat of her carriage to the Prado, at the hour of fashionable airing. She belonged to one of the old aristocratic families in the south. In her haughty weariness she used to make me think of Lady Dedlock in Dickens's "Bleak House," a work of the master for


Some Reminiscences
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tono Bungay by H. G. Wells:

craned upward and most of them scrutinising my expression through field-glasses. I could see Carnaby and Beatrice on horseback, and two girls I did not know with them; Cothope and three or four workmen I employed; my aunt and Mrs. Levinstein, who was staying with her, on foot, and Dimmock, the veterinary surgeon, and one or two others. My shadow moved a little to the north of them like the shadow of a fish. At Lady Grove the servants were out on the lawn, and the Duffield school playground swarmed with children too indifferent to aeronautics to cease their playing. But in the Crest Hill direction--the place looked extraordinarily squat and ugly from above--there were knots and strings of