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Today's Stichomancy for Frank Sinatra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Long Odds by H. Rider Haggard:

thing for him to do, for he was a most abstemious man, having conceived, as he used to say, a great horror of drink from observing its effects upon the class of colonists--hunters, transport riders and others--amongst whom he had passed so many years of his life. Consequently the good wine took more effect on him than it would have done on most men, sending a little flush into his wrinkled cheeks, and making him talk more freely than usual.

Dear old man! I can see him now, as he went limping up and down the vestibule, with his grey hair sticking up in scrubbing-brush fashion, his shrivelled yellow face, and his large dark eyes, that were as keen as any hawk's, and yet soft as a buck's. The whole room was hung with


Long Odds
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Symposium by Plato:

him, whether deserved and true or not. But Socrates has no talent for speaking anything but the truth, and if he is to speak the truth of Love he must honestly confess that he is not a good at all: for love is of the good, and no man can desire that which he has. This piece of dialectics is ascribed to Diotima, who has already urged upon Socrates the argument which he urges against Agathon. That the distinction is a fallacy is obvious; it is almost acknowledged to be so by Socrates himself. For he who has beauty or good may desire more of them; and he who has beauty or good in himself may desire beauty and good in others. The fallacy seems to arise out of a confusion between the abstract ideas of good and beauty, which do not admit of degrees, and their partial realization in individuals.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sanitary and Social Lectures by Charles Kingsley:

"But why should we not make dams at once; and save the water?"

"Because we cannot afford it. No one would buy the water when we had stored it. The rich in town and country will always take care--and quite right they are--to have water enough for themselves, and for their servants too, whatever it may cost them. But the poorer people are--and therefore usually, alas! the more ignorant--the less water they get; and the less they care to have water; and the less they are inclined to pay for it; and the more, I am sorry to say, they waste what little they do get; and I am still more sorry to say, spoil, and even steal and sell--in London at least--the stop-cocks and lead-pipes which bring the water into

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Long Odds by H. Rider Haggard:

rear--

"'You are walking on to the wounded cub; turn to the right.'

"I had the sense, dazed as I was, to take the hint, and slewing round at right-angles, but still keeping my eyes on the lioness, I continued my backward walk.

"To my intense relief, with a low growl she straightened herself, turned, and bounded further up the kloof.

"'Come on, Macumazahn,' said Tom, 'let's get back to the waggon.'

"'All right, Tom,' I answered. 'I will when I have killed those three other lions,' for by this time I was bent on shooting them as I never remember being bent on anything before or since. 'You can go if you


Long Odds