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Today's Stichomancy for Franklin Roosevelt

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dreams by Olive Schreiner:

"I have seen today," he said, "that which I never saw before--a vast white bird, with silver wings outstretched, sailing in the everlasting blue. And now it is as though a great fire burnt within my breast. It was but a sheen, a shimmer, a reflection in the water; but now I desire nothing more on earth than to hold her."

His friend laughed.

"It was but a beam playing on the water, or the shadow of your own head. Tomorrow you will forget her," he said.

But tomorrow, and tomorrow, and tomorrow the hunter walked alone. He sought in the forest and in the woods, by the lakes and among the rushes, but he could not find her. He shot no more wild fowl; what were they to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

be from another world and hold the secret of the cos-ata-lus."

The Wieroos approached boldly to take Bradley's "hatchet" from him, their leader having indicated the pistol hanging in its holster at the Englishman's hip, but the first one went reeling backward against his fellows from the blow to the chin which Bradley followed up with a rush and the intention to clean up the room in record time; but he had reckoned without the opening in the roof. Two were down and a great wailing and moaning was arising when reinforcements appeared from above. Bradley did not see them; but the girl did, and though she cried out a warning, it came too late for him to avoid a large Wieroo who dived


Out of Time's Abyss
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

on the end of its blunt, vague snout. These objects were waddling busily about the wharves, moving bales and crates and boxes with preternatural strength, and now and then hopping on or off some anchored galley with long oars in their forepaws. And now and then one would appear driving a herd of clumping slaves, which indeed were approximate human beings with wide mouths like those merchants who traded in Dylath-Leen; only these herds, being without turbans or shoes or clothing, did not seem so very human after all. Some of the slaves - the fatter ones, whom a sort of overseer would pinch experimentally - were unloaded from ships and nailed in crates which workers pushed into the low warehouses or loaded


The Dream-Quest of Unknown Kadath
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

bespangled by the early season, where thimble-berry played the part of our English hawthorn, and the buck-eyes were putting forth their twisted horns of blossom: through all this, we struggled toughly upwards, canted to and fro by the roughness of the trail, and continually switched across the face by sprays of leaf or blossom. The last is no great inconvenience at home; but here in California it is a matter of some moment. For in all woods and by every wayside there prospers an abominable shrub or weed, called poison-oak, whose very neighbourhood is venomous to some, and whose actual touch is avoided by the most impervious.