Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Franklin Roosevelt

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The War in the Air by H. G. Wells:

are scalded and smashed, and torn to pieces, and starved, and spoilt. London! Berlin! San Francisco! Think of all the human histories we ended in New York!... And the others go on again as though such things weren't possible. As I went on! Like animals! Just like animals."

He said nothing for a long time, and then he dropped out, "The Prince is a lunatic!"

They came to a place where they had to climb, and then to a long peat level beside rivulet. There a quantity of delicate little pink flowers caught Bert's eye. "Gaw!" he said, and stooped to pick one. "In a place like this."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Common Sense by Thomas Paine:

which she never can do, while by her dependence on Britain, she is made the make-weight in the scale of British politics.

Europe is too thickly planted with kingdoms to be long at peace, and whenever a war breaks out between England and any foreign power, the trade of America goes to ruin, BECAUSE OF HER CONNECTION WITH ENGLAND. The next war may not turn out like the last, and should it not, the advocates for reconciliation now, will be wishing for separation then, because, neutrality in that case, would be a safer convoy than a man of war. Every thing that is right or natural pleads for separation. The blood of the slain, the weeping voice of nature cries, 'TIS TIME TO PART. Even the distance at which the Almighty hath placed England and America,


Common Sense
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Give Me Liberty Or Give Me Death by Patrick Henry:

we have been so long contending--if we mean not basely to abandon the noble struggle in which we have been so long engaged, and which we have pledged ourselves never to abandon until the glorious object of our contest shall be obtained--we must fight! I repeat it, sir, we must fight! An appeal to arms and to the God of hosts is all that is left us!

They tell us, sir, that we are weak; unable to cope with so formidable an adversary. But when shall we be stronger? Will it be the next week, or the next year? Will it be when we are totally disarmed, and when a British guard shall be stationed in every house? Shall we gather strength but irresolution and inaction? Shall we acquire the means of effectual resistance by lying supinely on our backs and hugging the delusive phantom of hope, until

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Snow Image by Nathaniel Hawthorne:

"Even so," said the author, despondingly. "You cannot conceive what an effect the composition of these tales has had on me. I have become ambitious of a bubble, and careless of solid reputation. I am surrounding myself with shadows, which bewilder me, by aping the realities of life. They have drawn me aside from the beaten path of the world, and led me into a strange sort of solitude,--a solitude in the midst of men,-where nobody wishes for what I do, nor thinks nor feels as I do. The tales have done all this. When they are ashes, perhaps I shall be as I was before they had existence. Moreover, the sacrifice is less than you may suppose, since nobody will publish them."


The Snow Image