| The first excerpt represents the past or something you must release, and is drawn from The Atheist's Mass by Honore de Balzac: during my first youth; we used to call it then the pickle-jar of
great men! What then?"
"The mass I have just attended is connected with some events
which took place at the time when I lived in the garret where you
say Arthez lived; the one with the window where the clothes line
is hanging with linen over a pot of flowers. My early life was so
hard, my dear Bianchon, that I may dispute the palm of Paris
suffering with any man living. I have endured everything: hunger
and thirst, want of money, want of clothes, of shoes, of linen,
every cruelty that penury can inflict. I have blown on my frozen
fingers in that PICKLE-JAR OF GREAT MEN, which I should like to
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Through the Looking-Glass by Lewis Carroll: And you are very nice!"
The Carpenter said nothing but
"Cut us another slice:
I wish you were not quite so deaf--
I've had to ask you twice!"
"It seems a shame," the Walrus said,
"To play them such a trick,
After we've brought them out so far,
And made them trot so quick!"
The Carpenter said nothing but
"The butter's spread too thick!"
Through the Looking-Glass |
The third excerpt represents the future or something you must embrace, and is drawn from The Dunwich Horror by H. P. Lovecraft: 'But that ain't
the trouble naow - that was only the start. Zeb here was callin'
folks up an' everybody was a-listenin' in when a call from Seth
Bishop's cut in. His haousekeeper Sally was carryin' on fit to
kill - she'd jest seed the trees a-bendin' beside the rud, an'
says they was a kind o' mushy saound, like a elephant puffin'
an' treadin', a-headin' fer the haouse. Then she up an' spoke
suddent of a fearful smell, an' says her boy Cha'ncey was a-screamin'
as haow it was jest like what he smelt up to the Whateley rewins
Monday mornin'. An' the dogs was barkin' an' whinin' awful.
'An'
The Dunwich Horror |
