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Today's Stichomancy for Frederick II

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Lover's Complaint by William Shakespeare:

This said, in top of rage the lines she rents, Big discontent so breaking their contents.

A reverend man that grazed his cattle nigh, Sometime a blusterer, that the ruffle knew Of court, of city, and had let go by The swiftest hours, observed as they flew, Towards this afflicted fancy fastly drew; And, privileg'd by age, desires to know In brief, the grounds and motives of her woe.

So slides he down upon his grained bat, And comely-distant sits he by her side;

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tin Woodman of Oz by L. Frank Baum:

Monkey we cannot get rid of by any magic arts known to science."

"But -- see here," said the Scarecrow, who had listened intently to this explanation, "why not put the monkey's form on some one else?"

"Who would agree to make the change?" asked Ozma. "If by force we caused anyone else to become a Green Monkey, we would be as cruel and wicked as Mrs. Yoop. And what good would an exchange do?" she continued. "Suppose, for instance, we worked the enchantment, and made Toto into a Green Monkey. At the same moment Woot


The Tin Woodman of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Historical Mystery by Honore de Balzac:

accusation against us."

All the prisoners except Gothard were now removed from the courtroom. When Gothard was left alone the president adjured him to speak the truth for his own sake, pointing out that his pretended idiocy had come to an end; none of the jurors believed him imbecile; if he refused to answer the court he ran the risk of serious penalty; whereas by telling the truth at once he would probably be released. Gothard wept, hesitated, and finally ended by saying that Michu had told him to carry several sacks of plaster; but that each time he had met him near the farm. He was asked how many sacks he had carried.

"Three," he replied.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

frequency. A contest between hostile aeroplanes, hundreds of feet above the earth, is no longer regarded as a dramatic, thrilling spectacle: it has become as matter-of-fact as a bayonet melee between opposed forces of infantry.

A duel in the clouds differs from any other form of encounter. It is fought mercilessly: there can be no question of quarter or surrender. The white flag is no protection, for the simple reason that science and mechanical ingenuity have failed, so far, to devise a means of taking an aeroplane in tow. The victor has no possible method of forcing the vanquished to the ground in his own territory except driving. If such a move be made there is