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Today's Stichomancy for Frederick II

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Intentions by Oscar Wilde:

and though they may not be familiar with the authorities and archaeological data for what is shown to them, still they enjoy whatever loveliness they look at. And this is the important thing. Better to take pleasure in a rose than to put its root under a microscope. Archaeological accuracy is merely a condition of illusionist stage effect; it is not its quality. And Lord Lytton's proposal that the dresses should merely be beautiful without being accurate is founded on a misapprehension of the nature of costume, and of its value on the stage. This value is twofold, picturesque and dramatic; the former depends on the colour of the dress, the latter on its design and character. But so interwoven are the two

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Emma by Jane Austen:

"How delighted I am to see you again! and to see you in such excellent looks!--I would not have missed this meeting for the world. I should certainly have called at Hartfield, had you failed to come."

The others had been talking of the child, Mrs. Weston giving an account of a little alarm she had been under, the evening before, from the infant's appearing not quite well. She believed she had been foolish, but it had alarmed her, and she had been within half a minute of sending for Mr. Perry. Perhaps she ought to be ashamed, but Mr. Weston had been almost as uneasy as herself.--In ten minutes, however, the child had been perfectly well again. This was her history; and particularly interesting it was to Mr. Woodhouse,


Emma
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters:

sufferings enough without that. If you think there's danger, save me from it; and then, in gratitude, I'll hear whatever you like to say.'

I accordingly dropped the unwelcome topic. And now, Frederick, I think I may bring my letter to a close. From these details you may form your own judgment of the state of my patient, and of my own position and future prospects. Let me hear from you soon, and I will write again to tell you how we get on; but now that my presence is tolerated, and even required, in the sick-room, I shall have but little time to spare between my husband and my son, - for I must not entirely neglect the latter: it would not do to keep


The Tenant of Wildfell Hall
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sophist by Plato:

becomes organic we arrive at physiology: when we pass from the outward and animal to the inward nature of man we arrive at moral and metaphysical philosophy. These sciences have each of them their own methods and are pursued independently of one another. But to the mind of the thinker they are all one--latent in one another--developed out of one another.

This method of opposites has supplied new instruments of thought for the solution of metaphysical problems, and has thrown down many of the walls within which the human mind was confined. Formerly when philosophers arrived at the infinite and absolute, they seemed to be lost in a region beyond human comprehension. But Hegel has shown that the absolute and infinite are no more true than the relative and finite, and that they must