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Today's Stichomancy for Frederick II

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Nada the Lily by H. Rider Haggard:

and spear by her, they laid down the body of the girl in a dark place in the cave, and, finding a dead warrior of the People of the Axe, placed him beside her. Now they left the cave, and, pretending that they visited the sentries, Umslopogaas and Galazi passed from spot to spot, while the Lily walked after them like a guard, hiding her face with a shield, holding a spear in her hand, and having with her a bag of corn and dried flesh.

So they passed on, till at length they came to the entrance in the mountain side. The stones that had blocked it were pulled down so as to allow those of the Halakazi to fly who had been spared at the entreaty of Nada, but there were guards by the entrance to watch that


Nada the Lily
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Garden Party by Katherine Mansfield:

so warmly that she found it quite difficult to keep up her "manners." They consisted of persistent little coughs and hems, pulls at her gloves, tweaks at her skirt, and a curious difficulty in seeing what was set before her or understanding what was said.

Tea was laid on the parlour table--ham, sardines, a whole pound of butter, and such a large johnny cake that it looked like an advertisement for somebody's baking-powder. But the Primus stove roared so loudly that it was useless to try to talk above it. Alice sat down on the edge of a basket-chair while Mrs. Stubbs pumped the stove still higher. Suddenly Mrs. Stubbs whipped the cushion off a chair and disclosed a large brown- paper parcel.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

mediocre?--This for the chapter: "Morals as Timidity."

198. All the systems of morals which address themselves with a view to their "happiness," as it is called--what else are they but suggestions for behaviour adapted to the degree of DANGER from themselves in which the individuals live; recipes for their passions, their good and bad propensities, insofar as such have the Will to Power and would like to play the master; small and great expediencies and elaborations, permeated with the musty odour of old family medicines and old-wife wisdom; all of them grotesque and absurd in their form--because they address themselves to "all," because they generalize where generalization


Beyond Good and Evil
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Pair of Blue Eyes by Thomas Hardy:

A footpath, suddenly beginning and suddenly ending, coming from nowhere and leading nowhere, she had never seen before.

Yes, she had, on second thoughts. She had seen exactly such a path trodden in the front of barracks by the sentry.

And this recollection explained the origin of the path here. Her father had trodden it by pacing up and down, as she had once seen him doing.

Sitting on the hedge as she sat now, her eyes commanded a view of both sides of it. And a few minutes later, Elfride looked over to the manor side.

Here was another sentry path. It was like the first in length,


A Pair of Blue Eyes