| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Shadow Line by Joseph Conrad: stuff it into the medicine-chest drawer. A rather
incredible proceeding. I turned to the text in
wonder.
In a large, hurried, but legible hand the good,
sympathetic man for some reason, either of kind-
ness or more likely impelled by the irresistible de-
sire to express his opinion, with which he didn't
want to damp my hopes before, was warning me
not to put my trust in the beneficial effects of a
change from land to sea. "I didn't want to add to
your worries by discouraging your hopes," he
 The Shadow Line |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from This Side of Paradise by F. Scott Fitzgerald: THE COLLAPSE OF SEVERAL PILLARS
Two days later back in New York Amory found in a newspaper what
he had been searching fora dozen lines which announced to whom it
might concern that Mr. Amory Blaine, who "gave his address" as,
etc., had been requested to leave his hotel in Atlantic City
because of entertaining in his room a lady not his wife.
Then he started, and his fingers trembled, for directly above was
a longer paragraph of which the first words were:
"Mr. and Mrs. Leland R. Connage are announcing the engagement of
their daughter, Rosalind, to Mr. J. Dawson Ryder, of Hartford,
Connecticut"
 This Side of Paradise |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Light of Western Stars by Zane Grey: observation of her surrounding. Near at hand it was decidedly
not prepossessing. The street was deep in dust, and the cool
wind whipped up little puffs. The houses along this street were
all low, square, flat-roofed structures made of some kind of red
cement. It occurred to her suddenly that this building-material
must be the adobe she had read about. There was no person in
sight. The long street appeared to have no end, though the line
of houses did not extend far. Once she heard a horse trotting at
some distance, and several times the ringing of a locomotive
bell. Where were the mountains, wondered Madeline. Soon low
over the house-roofs she saw a dim, dark-blue, rugged outline.
 The Light of Western Stars |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain: or after the cart, hooting, shouting profane and ribald
remarks, singing snatches of foul song, skipping,
dancing -- a very holiday of hellions, a sickening sight.
We had struck a suburb of London, outside the walls,
and this was a sample of one sort of London society.
Our master secured a good place for us near the
gallows. A priest was in attendance, and he helped
the girl climb up, and said comforting words to her,
and made the under-sheriff provide a stool for her.
Then he stood there by her on the gallows, and for a
moment looked down upon the mass of upturned faces
 A Connecticut Yankee in King Arthur's Court |