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Today's Stichomancy for Fritz Lang

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from First Inaugural Address by Abraham Lincoln:

Constitution and the laws, can be given, will be cheerfully given to all the States when lawfully demanded, for whatever cause-- as cheerfully to one section as to another.

There is much controversy about the delivering up of fugitives from service or labor. The clause I now read is as plainly written in the Constitution as any other of its provisions:

"No person held to service or labor in one State, under the laws thereof, escaping into another, shall in consequence of any law or regulation therein be discharged from such service or labor, but shall be delivered up on claim of the party

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson:

says he, 'get the priest; don't let me die here like a dog!' He spoke kind of fierce and eager, but sensible enough. There was nothing to say against that, so we sent and asked Galuchet if he would come. You bet he would. He jumped in his dirty linen at the thought of it. But we had reckoned without Papa. He's a hard- shell Baptist, is Papa; no Papists need apply. And he took and locked the door. Buncombe told him he was bigoted, and I thought he would have had a fit. 'Bigoted!' he says. 'Me bigoted? Have I lived to hear it from a jackanapes like you?' And he made for Buncombe, and I had to hold them apart; and there was Adams in the middle, gone luny again, and carrying on about copra like a born

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Young Forester by Zane Grey:

became reconciled to the loss of mustang and outfit. For a moment I almost forgot Dick and Buell. Forestry seemed less important than hunting. I had read a thousand books about old hunters and trappers, and here I was in a wild mountain canyon with a hunter who might have stepped out of one of my dreams. So I trudged along beside him, asking a question now and then, and listening always. He certainly knew what would interest me. There was scarcely a thing he said that I would ever forget. After a while, however, the trail became so steep and rough that I, at least, had no breath to spare for talking. We climbed and climbed. The canyon had become a narrow, rocky cleft. Huge stones blocked the way. A ragged growth of underbrush fringed the stream. Dead pines, with branches like spears, lay along the


The Young Forester
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Rivers to the Sea by Sara Teasdale:

I love to think that never tears at night Have made her eyes less bright; That all her girlhood thru Never a cry of love made over-tense Her voice's innocence; That in her hands have lain, Flowers beaten by the rain,

RIVERS TO THE SEA

And little birds before they learned to sing Drowned in the sudden ecstasy of spring.

I love to think that with a wistful wonder