Today's Stichomancy for Fritz Lang

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Oedipus Trilogy by Sophocles:

[Exeunt OEDIPUS and JOCASTA]

CHORUS (Str. 1) My lot be still to lead The life of innocence and fly Irreverence in word or deed, To follow still those laws ordained on high Whose birthplace is the bright ethereal sky No mortal birth they own, Olympus their progenitor alone: Ne'er shall they slumber in oblivion cold,

Oedipus Trilogy

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Pocket Diary Found in the Snow by Grace Isabel Colbron and Augusta Groner:

by Grace Isabel Colbron and Augusta Groner

CHAPTER I

THE DISCOVERY IN THE SNOW

A quiet winter evening had sunk down upon the great city. The clock in the old clumsy church steeple of the factory district had not yet struck eight, when the side door of one of the large buildings opened and a man came out into the silent street.

It was Ludwig Amster, one of the working-men in the factory, starting on his homeward way. It was not a pleasant road, this street along the edge of the city. The town showed itself from its most disagreeable side here, with malodorous factories,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Montezuma's Daughter by H. Rider Haggard:

slept for many hours, for when I awoke it was far on into the night. It was night but not dark, for through the barred window places came the sound of tumult and fighting, and red rays of light cast by the flames of burning houses. One of these windows was above my couch, and standing on the bed I seized the sill with my hands. With much pain, because of the flesh wound in my side, I drew myself up till I could look through the bars. Then I saw that the Spaniards, not content with the capture of the teocalli, had made a night attack and set fire to hundreds of houses in the city. The glare of the flames was that of a lurid day, and by it I could see the white men retreating to their quarters, pursued by

Montezuma's Daughter

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

there is no reason in the world why as good and better performances of The Ring should not be given in England. Wagner's scores are now before the world; and neither his widow nor his son can pretend to handle them with greater authority than any artist who feels the impulse to interpret them. Nobody will ever know what Wagner himself thought of the artists who established the Bayreuth tradition: he was obviously not in a position to criticize them. For instance, had Rubini survived to create Siegmund, it is quite certain that we should not have had from Wagner's pen so amusing and vivid a description as we have of his Ottavio in the old Paris days. Wagner was under great obligations