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Today's Stichomancy for Fritz Lang

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Damnation of Theron Ware by Harold Frederic:

Before the neighboring properties the fences had been swept away, so that one might stroll from the sidewalk straight across the well-trimmed sward to any one of a dozen elaborately modern doorways. Some of the residences, thus frankly proffering friendship to the passer-by, were of wood painted in drabs and dusky reds, with bulging windows which marked the native yearning for the mediaeval, and shingles that strove to be accounted tiles. Others--a prouder, less pretentious sort-- were of brick or stone, with terra-cotta mouldings set into the walls, and with real slates covering


The Damnation of Theron Ware
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Statesman by Plato:

the tale will also enable us to distinguish the divine from the human herdsman or shepherd: (3) and besides our fable, we must have an example; for our example we will select the art of weaving, which will have to be distinguished from the kindred arts; and then, following this pattern, we will separate the king from his subordinates or competitors. (4) But are we not exceeding all due limits; and is there not a measure of all arts and sciences, to which the art of discourse must conform? There is; but before we can apply this measure, we must know what is the aim of discourse: and our discourse only aims at the dialectical improvement of ourselves and others.--Having made our apology, we return once more to the king or statesman, and proceed to contrast him with pretenders in the same line


Statesman
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe:

of white descent. His mother was one of those unfortunates of her race, marked out by personal beauty to be the slave of the passions of her possessor, and the mother of children who may never know a father. From one of the proudest families in Kentucky he had inherited a set of fine European features, and a high, indomitable spirit. From his mother he had received only a slight mulatto tinge, amply compensated by its accompanying rich, dark eye. A slight change in the tint of the skin and the color of his hair had metamorphosed him into the Spanish-looking fellow he then appeared; and as gracefulness of movement and gentlemanly manners had always been perfectly natural to him, he found no difficulty


Uncle Tom's Cabin
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Firm of Nucingen by Honore de Balzac:

a little dabbler like du Tillet, a jackal that gets on in life through his sense of smell. He scents a carcass by instinct, and comes in time to get the best bone. Besides, just look at the two men. The one has a sharp-pointed face like a cat, he is thin and lanky; the other is cubical, fat, heavy as a sack, imperturbable as a diplomatist. Nucingen has a thick, heavy hand, and lynx eyes that never light up; his depths are not in front, but behind; he is inscrutable, you never see what he is making for. Whereas du Tillet's cunning, as Napoleon said to somebody (I have forgotten the name), is like cotton spun too fine, it breaks."

"I do not myself see that Nucingen has any advantage over du Tillet,"