| The first excerpt represents the past or something you must release, and is drawn from The Apology by Xenophon: The Cyropaedia 8
The Memorabilia 4
The Symposium 1
The Economist 1
On Horsemanship 1
The Sportsman 1
The Cavalry General 1
The Apology 1
On Revenues 1
The Hiero 1
The Agesilaus 1
The Apology |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Lover's Complaint by William Shakespeare: What rounds, what bounds, what course, what stop he makes!
And controversy hence a question takes,
Whether the horse by him became his deed,
Or he his manage by the well-doing steed.
'But quickly on this side the verdict went;
His real habitude gave life and grace
To appertainings and to ornament,
Accomplish'd in himself, not in his case,:
All aids, themselves made fairer by their place,
Came for additions; yet their purpos'd trim
Pierc'd not his grace, but were all grac'd by him.
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The third excerpt represents the future or something you must embrace, and is drawn from Padre Ignacio by Owen Wister: planting olives. I should go back and see the original ones--and then I'd
hasten on to Paris."
And, with a volume of Meyerbeer open in his hand, Gaston hummed:
"'Robert, Robert, toi que j'aime.' Why, Padre, I think that your library
contains none of the masses and all of the operas in the world!"
"I will make you a little confession," said Padre Ignacio, "and then you
shall give me a little absolution."
"For a penance," said Gaston, "you must play over some of these things to
me."
"I suppose I could not permit myself this luxury," began the Padre,
pointing to his operas, "and teach these to my choir, if the people had
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