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Today's Stichomancy for Galileo Galilei

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from New Arabian Nights by Robert Louis Stevenson:

functionary's name. It was more like an entr'acte in a farce of Moliere's than a passage of real life in Castel-le-Gachis.

The Commissary, if he was not the first, was not the last of the neighbours to yield to the influence of music, and furiously throw open the window of his bedroom. He was beside himself with rage. He leaned far over the window-sill, raying and gesticulating; the tassel of his white night-cap danced like a thing of life: he opened his mouth to dimensions hitherto unprecedented, and yet his voice, instead of escaping from it in a roar, came forth shrill and choked and tottering. A little more serenading, and it was clear he would be better acquainted with the apoplexy.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mirror of the Sea by Joseph Conrad:

qualities - courage, hardihood, endurance, faithfulness - has ever been known to touch its irresponsible consciousness of power. The ocean has the conscienceless temper of a savage autocrat spoiled by much adulation. He cannot brook the slightest appearance of defiance, and has remained the irreconcilable enemy of ships and men ever since ships and men had the unheard of audacity to go afloat together in the face of his frown. From that day he has gone on swallowing up fleets and men without his resentment being glutted by the number of victims - by so many wrecked ships and wrecked lives. To-day, as ever, he is ready to beguile and betray, to smash and to drown the incorrigible optimism of men who, backed


The Mirror of the Sea
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Children of the Night by Edwin Arlington Robinson:

For a Book by Thomas Hardy

With searching feet, through dark circuitous ways, I plunged and stumbled; round me, far and near, Quaint hordes of eyeless phantoms did appear, Twisting and turning in a bootless chase, -- When, like an exile given by God's grace To feel once more a human atmosphere, I caught the world's first murmur, large and clear, Flung from a singing river's endless race.

Then, through a magic twilight from below, I heard its grand sad song as in a dream:

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Catriona by Robert Louis Stevenson:

house with some compliments upon the rizzoring of our haddocks; and the whole of the rest of our stay held her in talk about a cold he had taken on his stomach, gravely relating all manner of symptoms and sufferings, and hearing with a vast show of interest all the old wives' remedies she could supply him with in return.

We left Musselburgh before the first ninepenny coach was due from Edinburgh for (as Alan said) that was a rencounter we might very well avoid. The wind although still high, was very mild, the sun shone strong, and Alan began to suffer in proportion. From Prestonpans he had me aside to the field of Gladsmuir, where he exerted himself a great deal more than needful to describe the stages of the battle.