| The first excerpt represents the past or something you must release, and is drawn from The Complete Angler by Izaak Walton: entering of your hook, it must not be at the head-end of the worm, but
at the tail-end of him, that the point of your hook may come out toward
the head-end; and, having drawn him above the arming of your hook,
then put the point of your hook again into the very head of the worm,
till it come near to the place where the point of the hook first came out,
and then draw back that part of the worm that was above the shank or
arming of your hook, and so fish with it. And if you mean to fish with
two worms, then put the second on before you turn back the hook's-
head of the first worm. You cannot lose above two or three worms
before you attain to what I direct you; and having attained it, you will
find it very useful, and thank me for it: for you will run on the ground
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Around the World in 80 Days by Jules Verne: were overcome with sleep. Passepartout found himself beside the detective;
but he did not talk to him. After recent events, their relations with each
other had grown somewhat cold; there could no longer be mutual sympathy or
intimacy between them. Fix's manner had not changed; but Passepartout was very
reserved, and ready to strangle his former friend on the slightest provocation.
Snow began to fall an hour after they started, a fine snow, however,
which happily could not obstruct the train; nothing could be seen
from the windows but a vast, white sheet, against which the smoke
of the locomotive had a greyish aspect.
At eight o'clock a steward entered the car and announced that
the time for going to bed had arrived; and in a few minutes
 Around the World in 80 Days |
The third excerpt represents the future or something you must embrace, and is drawn from Helen of Troy And Other Poems by Sara Teasdale: Whose wine had turned to roses in her hands.
And as I played, a child came thro' the gate,
A boy who looked at me without a word,
As tho' he saw stretch far behind my head
Long lines of radiant angels, row on row.
That day we spoke a little, timidly,
And after that I never heard the voice
That sang so many songs for love of me.
He was content to stand and watch me pass,
To seek for me at matins every day,
Where I could feel his eyes the while I prayed.
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