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Today's Stichomancy for George Armstrong Custer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mysterious Affair at Styles by Agatha Christie:

conversation, mainly on the subject of the forthcoming bazaar which she was organizing and which was to take place shortly. Occasionally she referred to her husband over a question of days or dates. His watchful and attentive manner never varied. From the very first I took a firm and rooted dislike to him, and I flatter myself that my first judgments are usually fairly shrewd.

Presently Mrs. Inglethorp turned to give some instructions about letters to Evelyn Howard, and her husband addressed me in his painstaking voice:

"Is soldiering your regular profession, Mr. Hastings?"

"No, before the war I was in Lloyd's."


The Mysterious Affair at Styles
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sylvie and Bruno by Lewis Carroll:

admitted. "I never considered it in that light. Still, you did it very well. A word in your ear!"

The rest of their conversation was all in whispers: so, as I could hear no more, I thought I would go and find Bruno.

I found the little fellow standing in the passage, and being addressed by one of the men in livery, who stood before him, nearly bent double from extreme respectfulness, with his hands hanging in front of him like the fins of a fish. "His High Excellency," this respectful man was saying, "is in his Study, y'reince!" (He didn't pronounce this quite so well as the Chancellor.) Thither Bruno trotted, and I thought it well to follow him.


Sylvie and Bruno
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Return of Tarzan by Edgar Rice Burroughs:

all the world might know it he threw back his young head, and gave voice to the fierce, wild challenge of his tribe. For a moment silence reigned upon the jungle, and then, low and weird, came an answering challenge--it was the deep roar of Numa, the lion; and from a great distance, faintly, the fearsome answering bellow of a bull ape.

Tarzan went to the brook first, and slaked his thirst. Then he approached his cabin. The door was still closed and latched as he and D'Arnot had left it. He raised the latch and entered. Nothing had been disturbed; there were the table, the bed, and the little crib built by his


The Return of Tarzan
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Woodlanders by Thomas Hardy:

she have known of it, would have been inclined to inflict upon any living creature, how much soever he might have wronged her. Then a sudden hope dawned upon him; he wondered if her affirmation were true. He asked himself whether it were not the act of a woman whose natural purity and innocence had blinded her to the contingencies of such an announcement. His wide experience of the sex had taught him that, in many cases, women who ventured on hazardous matters did so because they lacked an imagination sensuous enough to feel their full force. In this light Grace's bold avowal might merely have denoted the desperation of one who was a child to the realities of obliquity.


The Woodlanders