| The first excerpt represents the past or something you must release, and is drawn from Desert Gold by Zane Grey: slip a trembling cold little hand into his. Dick looked at her.
She seemed a white-faced girl now, with staring, frightened black
eyes that flashed up at him. If the loneliness, the silence, the
desert, the unknown dangers of the night affected him, what must
they be to this hunted, driven girl? Gale's heart swelled. He
was alone with her. He had no weapon, no money, no food, no drink,
no covering, nothing except his two hands. He had absolutely no
knowledge of the desert, of the direction or whereabouts of the
boundary line between the republics; he did not know where to find
the railroad, or any road or trail, or whether or not there were
towns near or far. It was a critical, desperate situation. He
Desert Gold |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Enemies of Books by William Blades: Again, if not supervised and instructed, she is very apt to rub the dust into,
instead of off, the edges. Each volume should be held tightly,
so as to prevent the leaves from gaping, and then wiped from the back
to the fore-edge. A soft brush will be found useful if there is much dust.
The whole exterior should also be rubbed with a soft cloth, and then
the covers should be opened and the hinges of the binding examined;
for mildew WILL assert itself both inside and outside certain books,
and that most pertinaciously. It has unaccountable likes and dislikes.
Some bindings seem positively to invite damp, and mildew will attack
these when no other books on the same shelf show any signs of it.
When discovered, carefully wipe it away, and then let the book remain
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The third excerpt represents the future or something you must embrace, and is drawn from The Alkahest by Honore de Balzac: mark, to exaggerate, as did Michael Angelo, Bianca Capello,
Mademoiselle de la Valliere, Beethoven, and Paganini. Far-seeing minds
alone disapprove such excess, and respect only the energy represented
by a finished execution whose perfect quiet charms superior men. The
life of this essentially thrifty people amply fulfils the conditions
of happiness which the masses desire as the lot of the average
citizen.
A refined materialism is stamped on all the habits of Flemish life.
English comfort is harsh in tone and arid in color; whereas the old-
fashioned Flemish interiors rejoice the eye with their mellow tints,
and the feelings with their genuine heartiness. There, work implies no
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