| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Unseen World and Other Essays by John Fiske: "Ever makes me shudder at the sight of frozen pools."
I have always considered this line a marvellous instance of the
intensity of Dante's imagination. It shows, too, how Dante
composed his poem. He did not take counsel of himself and say:
"Go to, let us describe the traitors frozen up to their necks in
a dismal lake, for that will be most terrible." But the picture
of the lake, in all its iciness, with the haggard faces staring
out from its glassy crust, came unbidden before his mind with
such intense reality that, for the rest of his life, he could not
look at a frozen pool without a shudder of horror. He described
it exactly as he saw it; and his description makes us shudder who
 The Unseen World and Other Essays |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Faith of Men by Jack London: down. But he fell back upon the people and made incantations for
three days, in which all hands joined; and then, speaking with the
voice of God, he decreed polygamy by divine fiat. But he was
shrewd, for he limited the number of wives by a property
qualification, and because of which he, above all men, was favoured
by his wealth. Nor could I fail to admire, though it was plain
that power had turned his head, and he would not be satisfied till
all the power and all the wealth rested in his own hands. So he
became swollen with pride, forgot it was I that had placed him
there, and made preparations to destroy me.
"But it was interesting, for the beggar was working out in his own
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Coxon Fund by Henry James: Gravener took up his hat; turning it mechanically round he stood
looking a moment hard at its unruffled perfection. Then very
angrily honestly and gallantly, "Hand it to the devil!" he broke
out; with which he clapped the hat on his head and left me.
"Will you read it or not?" I said to Ruth Anvoy, at Wimbledon, when
I had told her the story of Mrs. Saltram's visit.
She debated for a time probably of the briefest, but long enough to
make me nervous. "Have you brought it with you?"
"No indeed. It's at home, locked up."
There was another great silence, and then she said "Go back and
destroy it."
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from To-morrow by Joseph Conrad: pressed by his tenant, that once he told Miss Bes-
sie, "He is a very extravagant fellow, my dear."
She was knitting that day, finishing a pair of
socks for her father, who expected her to keep up
the supply dutifully. She hated knitting, and, as
she was just at the heel part, she had to keep her
eyes on her needles.
"Of course it isn't as if he had a son to provide
for," Captain Hagberd went on a little vacantly.
"Girls, of course, don't require so much--h'm--
h'm. They don't run away from home, my dear."
 To-morrow |