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Today's Stichomancy for George Clooney

The first excerpt represents the past or something you must release, and is drawn from The King of the Golden River by John Ruskin:

them just enough to enable them to stand over Gluck, beating him very steadily for a quarter of an hour; at the expiration of which period they dropped into a couple of chairs and requested to know what he had got to say for himself. Gluck told them his story, of which, of course, they did not believe a word. They beat him again, till their arms were tired, and staggered to bed. In the morning, however, the steadiness with which he adhered to his story obtained him some degree of credence; the immediate consequence of which was that the two brothers, after wrangling a long time on the knotty question, which of them should try his fortune first, drew their swords and began fighting. The noise of the fray alarmed the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Blue Flower by Henry van Dyke:

has been dead these ten years."

"And who lives here now?" asked Luke.

"Mr. Woods: he married Wilson's daughter," said the stranger, and went on his way.

"Well," said Luke to himself, "this is just a little queer. Woods was my name for a while, when I lived here, but now, I suppose, I'm Luke Dubois again. Dashed if I can understand it. Somebody must have been dreaming."

So he went back to the white canoe, and paddled away up the river, and nobody in Scroll-Saw City ever set eyes on him again.

The third excerpt represents the future or something you must embrace, and is drawn from Master and Man by Leo Tolstoy:

breath, pulling in his lean stomach still more, and girdled himself as tightly as he could over his sheepskin.

'There now,' he said addressing himself no longer to the cook but the girdle, as he tucked the ends in at the waist, 'now you won't come undone!' And working his shoulders up and down to free his arms, he put the coat over his sheepskin, arched his back more strongly to ease his arms, poked himself under the armpits, and took down his leather-covered mittens from the shelf. 'Now we're all right!'

'You ought to wrap your feet up, Nikita. Your boots are very bad.'


Master and Man