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Today's Stichomancy for George Clooney

The first excerpt represents the past or something you must release, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson:

made talking difficult, and flecked the blood into the face. It seemed to have swept the streets unusually bare of passengers, besides; for Mr. Utterson thought he had never seen that part of London so deserted. He could have wished it otherwise; never in his life had he been conscious of so sharp a wish to see and touch his fellow-creatures; for struggle as he might, there was borne in upon his mind a crushing anticipation of calamity. The square, when they got there, was full of wind and dust, and the thin trees in the garden were lashing themselves along the railing. Poole, who had kept all the way a pace or two ahead, now pulled up in the middle of the pavement, and in spite of the biting weather, took


The Strange Case of Dr. Jekyll and Mr. Hyde
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Herland by Charlotte Gilman:

"That's different," he said, annoyed; and when she said, "Why is it?" he quite sulked, referring her to me, saying, "Van's the philosopher."

Ellador and I talked it all out together, so that we had an easier experience of it when the real miracle time came. Also, between us, we made things clearer to Jeff and Celis. But Terry would not listen to reason.

He was madly in love with Alima. He wanted to take her by storm, and nearly lost her forever.

You see, if a man loves a girl who is in the first place young and inexperienced; who in the second place is educated with a


Herland
The third excerpt represents the future or something you must embrace, and is drawn from La Grande Breteche by Honore de Balzac:

which I saw an "Imitation of Christ," which, by the way, I bought for my wife, as well as the lamp. There were also a deep armchair for her confidential maid, and two small chairs. There was no fire. That was all the furniture, not enough to fill ten lines in an inventory.

" 'My dear sir, if you had seen, as I then saw, that vast room, papered and hung with brown, you would have felt yourself transported into a scene of a romance. It was icy, nay more, funereal,' and he lifted his hand with a theatrical gesture and paused.

" 'By dint of seeking, as I approached the bed, at last I saw Madame de Merret, under the glimmer of the lamp, which fell on the pillows. Her face was as yellow as wax, and as narrow as two folded hands. The


La Grande Breteche