| The first excerpt represents the past or something you must release, and is drawn from The Beasts of Tarzan by Edgar Rice Burroughs: captive, beating him upon the face with his clenched fists
and kicking him mercilessly about the legs.
Then he raised the heavy spear to drive it through the
mighty heart, and still Tarzan of the Apes smiled
contemptuously upon him.
Before Rokoff could drive the weapon home the chief sprang
upon him and dragged him away from his intended victim.
"Stop, white man!" he cried. "Rob us of this prisoner and
our death-dance, and you yourself may have to take his place."
The threat proved most effective in keeping the Russian
from further assaults upon the prisoner, though he continued
The Beasts of Tarzan |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Rig Veda: 3 Sure in the worlds he was a skilful Craftsman, he who produced
these
Twain the Earth and Heaven.
Wise, with his power he brought both realms, together spacious
and
deep, wellfashioned, unsupported.
4 O Heaven and Earth, with one accord promoting, with high
protection
as of Queens, our welfare,
Far-reaching, universal, holy, guard us. May we, car-borne,
through
The Rig Veda |
The third excerpt represents the future or something you must embrace, and is drawn from Resurrection by Leo Tolstoy: difficult. It will alter of itself when she will be set free or
exiled, and I follow her."
On the appointed day Nekhludoff drove up to the advocate
Fanarin's own splendid house, which was decorated with huge palms
and other plants, and wonderful curtains, in fact, with all the
expensive luxury witnessing to the possession of much idle money,
i.e., money acquired without labour, which only those possess who
grow rich suddenly. In the waiting-room, just as in a doctor's
waiting-room, he found many dejected-looking people sitting round
several tables, on which lay illustrated papers meant to amuse
them, awaiting their turns to be admitted to the advocate. The
Resurrection |
