| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Phaedrus by Plato: who will hardly yield to blow or spur. Together all three, who are a
figure of the soul, approach the vision of love. And now a fierce conflict
begins. The ill-conditioned steed rushes on to enjoy, but the charioteer,
who beholds the beloved with awe, falls back in adoration, and forces both
the steeds on their haunches; again the evil steed rushes forwards and
pulls shamelessly. The conflict grows more and more severe; and at last
the charioteer, throwing himself backwards, forces the bit out of the
clenched teeth of the brute, and pulling harder than ever at the reins,
covers his tongue and jaws with blood, and forces him to rest his legs and
haunches with pain upon the ground. When this has happened several times,
the villain is tamed and humbled, and from that time forward the soul of
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Glimpses of the Moon by Edith Wharton: join her. After her few hours at Altringham she had understood
that he would wait for her as long as was necessary: the fear
of the "other women" had ceased to trouble her. But, perhaps
for that very reason, the future seemed less exciting than she
had expected. Sometimes she thought it was the sight of that
great house which had overwhelmed her: it was too vast, too
venerable, too like a huge monument built of ancient territorial
traditions and obligations. Perhaps it had been lived in for
too long by too many serious-minded and conscientious women:
somehow she could not picture it invaded by bridge and debts and
adultery. And yet that was what would have to be, of course ...
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