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Today's Stichomancy for George Orwell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dream Life and Real Life by Olive Schreiner:

shadows.

In her sleep she shivered, and half awoke.

"Ah, I am not there, I am here," she said; and she crept closer to the rock, and kissed it, and went to sleep again.

It must have been about three o'clock, for the moon had begun to sink towards the western sky, when she woke, with a violent start. She sat up, and pressed her hand against her heart.

"What can it be? A cony must surely have run across my feet and frightened me!" she said, and she turned to lie down again; but soon she sat up. Outside, there was the distinct sound of thorns crackling in a fire.

She crept to the door and made an opening in the branches with her fingers.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Heart of Darkness by Joseph Conrad:

pole had skinned his poor nose. He was very anxious for me to kill somebody, but there wasn't the shadow of a carrier near. I remembered the old doctor--'It would be interesting for science to watch the mental changes of individuals, on the spot.' I felt I was becoming scientifically interesting. However, all that is to no purpose. On the fifteenth day I came in sight of the big river again, and hobbled into the Central Station. It was on a back water surrounded by scrub and forest, with a pretty border of smelly mud on one side, and on the three others enclosed by a crazy fence of rushes. A neglected gap was all the gate it had, and the first glance at the place was


Heart of Darkness
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Heritage of the Desert by Zane Grey:

an escarpment. Not even a tip of a spur rose in the background. He rubbed his sore eyes. Was this another illusion?

When Silvermane started onward Hare thought of the Navajos' custom to trust horse and dog in such an emergency. They were desert-bred; beyond human understanding were their sight and scent. He was at the mercy now of Wolf's instinct and Silvermane's endurance. Resignation brought him a certain calmness of soul, cold as the touch of an icy hand on fevered cheek. He remembered the desert secret in Mescal's eyes; he was about to solve it. He remembered August Naab's words: "It's a man's deed!" If so, he had achieved the spirit of it, if not the letter. He remembered Eschtah's tribute to the wilderness of painted wastes: "There is the


The Heritage of the Desert
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

The Gondreville Mystery The Seamy Side of History The Member for Arcis

Dudley, Lady Arabella The Lily of the Valley The Ball at Sceaux The Magic Skin A Daughter of Eve Letters of Two Brides

Esgrignon, Victurnien, Comte (then Marquis d') Jealousies of a Country Town