| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tom Sawyer Abroad by Mark Twain: "Mars Tom, is dat so? Man done it?"
"Certainly."
"Who tole him he could?"
"Nobody. He never asked."
Jim studied a minute, and says:
"Well, dat do beat me. I wouldn't 'a' tuck no
sich resk. But some people ain't scared o' nothin'.
Dey bangs right ahead; DEY don't care what happens.
So den dey's allays an hour's diff'unce everywhah,
Mars Tom?"
"An hour? No! It's four minutes difference for
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Reef by Edith Wharton: and turned my back. There's the whole pusillanimous truth
of it!"
"Oh, if it's the WHOLE truth!----" She let him clasp
her. "There's my torment, you see. I thought that was what
your silence meant till I made you break it. Now I want to
be sure that I was right."
"What can I tell you to make you sure?"
"You can let me tell YOU everything first." She drew
away, but without taking her hands from him. "Owen saw you
in Paris," she began.
She looked at him and he faced her steadily. The light was
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Odyssey by Homer: with his sword, or knock him down, so he set off at a run, and
immediately was at his father's side. Then he said:
"Father, let me bring you a shield, two spears, and a brass
helmet for your temples. I will arm myself as well, and will
bring other armour for the swineherd and the stockman, for we
had better be armed."
"Run and fetch them," answered Ulysses, "while my arrows hold
out, or when I am alone they may get me away from the door."
Telemachus did as his father said, and went off to the store
room where the armour was kept. He chose four shields, eight
spears, and four brass helmets with horse-hair plumes. He
 The Odyssey |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Hated Son by Honore de Balzac: certain that his voice was as soft as it was possible to make it when
his wife returned.
"Jeanne, my dear," he said, "do not be angry with me; give me your
hand. One never knows how to trust you women. I return, bringing you
fresh honors and more wealth, and yet, tete-Dieu! you receive me like
an enemy. My new government will oblige me to make long absences until
I can exchange it for that of Lower Normandy; and I request, my dear,
that you will show me a pleasant face while I am here."
The countess understood the meaning of the words, the feigned softness
of which could no longer deceive her.
"I know my duty," she replied in a tone of sadness which the count
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