| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Drama on the Seashore by Honore de Balzac: alone should inhabit it. All that ever brought a population to this
rock were the salt-marshes and the factory which prepares the salt. On
one side the sea; on the other, sand; above, illimitable space."
We had now passed the town, and had reached the species of desert
which separates Croisic from the village of Batz. Imagine, my dear
uncle, a barren track of miles covered with the glittering sand of the
seashore. Here and there a few rocks lifted their heads; you might
have thought them gigantic animals couchant on the dunes. Along the
coast were reefs, around which the water foamed and sparkled, giving
them the appearance of great white roses, floating on the liquid
surface or resting on the shore. Seeing this barren tract with the
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde: must be confused with the manuscripts stolen from 16 Tite Street in
1895--namely, the enlarged version of Mr. W. H., the second draft of
A Florentine Tragedy, and The Duchess of Padua (which, existing in a
prompt copy, was of less importance than the others); nor with The
Cardinal of Arragon, the manuscript of which I never saw. I
scarcely think it ever existed, though Wilde used to recite proposed
passages for it.
Some years after Wilde's death I was looking over the papers and
letters rescued from Tite Street when I came across loose sheets of
manuscript and typewriting, which I imagined were fragments of The
Duchess of Padua; on putting them together in a coherent form I
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