The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides by Plato: Although we cannot maintain that ancient and modern philosophy are one and
continuous (as has been affirmed with more truth respecting ancient and
modern history), for they are separated by an interval of a thousand years,
yet they seem to recur in a sort of cycle, and we are surprised to find
that the new is ever old, and that the teaching of the past has still a
meaning for us.
III. In the preface to the first edition I expressed a strong opinion at
variance with Mr. Grote's, that the so-called Epistles of Plato were
spurious. His friend and editor, Professor Bain, thinks that I ought to
give the reasons why I differ from so eminent an authority. Reserving the
fuller discussion of the question for another place, I will shortly defend
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Domestic Peace by Honore de Balzac: torches brought on at the climax of a tragedy. No one who had not
known that Duchess could appreciate the terror which the expression of
her countenance inspired in the Countess.
Madame de Lansac was tall, and her features led people to say, "That
must have been a handsome woman!" She coated her cheeks so thickly
with rouge that the wrinkles were scarcely visible; but her eyes, far
from gaining a factitious brilliancy from this strong carmine, looked
all the more dim. She wore a vast quantity of diamonds, and dressed
with sufficient taste not to make herself ridiculous. Her sharp nose
promised epigram. A well-fitted set of teeth preserved a smile of such
irony as recalled that of Voltaire. At the same time, the exquisite
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