Today's Stichomancy for Hans Christian Andersen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ursula by Honore de Balzac:

echo. The doctor conducted his child as far as the Chinese pagoda, where he made her lift the marble top of the little Boule cabinet just as she had raised it on the day of his death; but instead of finding nothing there she saw the letter her godfather had told her to fetch. She opened it and read both the letter addressed to herself and the will in favor of Savinien. The writing, as she afterwards told the abbe, shone as if traced by sunbeams--"it burned my eyes," she said. When she looked at her uncle to thank him she saw the old benevolent smile upon his discolored lips. Then, in a feeble voice, but still clearly, he told her to look at Minoret, who was listening in the corridor to what he said to her; and next, slipping the lock of the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mansion by Henry van Dyke:

clear voices from which the veil of age and sorrow was lifted.

John Weightman joined in some of the songs--which were familiar to him from their use in the church--at first with a touch of hesitation, and then more confidently. For as they went on his sense of strangeness and fear at his new experience diminished, and his thoughts began to take on their habitual assurance and complacency. Were not these people going to the Celestial City? And was not he in his right

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides by Plato:

allowable in a modern writer. But we are not therefore justified in connecting passages from different parts of his writings, or even from the same work, which he has not himself joined. We cannot argue from the Parmenides to the Philebus, or from either to the Sophist, or assume that the Parmenides, the Philebus, and the Timaeus were 'written simultaneously,' or 'were intended to be studied in the order in which they are here named (J. of Philol.) We have no right to connect statements which are only accidentally similar. Nor is it safe for the author of a theory about ancient philosophy to argue from what will happen if his statements are rejected. For those consequences may never have entered into the mind of the ancient writer himself; and they are very likely to be

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Ruling Passion by Henry van Dyke:

and prepared to accept her performance with enthusiasm. As the dance went on, there were frequent comments of approval to encourage her in the labour of love.

"Sereny's doin' splendid, ain't she?" said the other girls.

To which the men replied, "You bet! The playin' 's reel nice, and good 'nough fer anybody--outside o' city folks."

But Serena's repertory was weak, though her spirit was willing. There was an unspoken sentiment among the men that "The Sweet By and By" was not quite the best tune in the world for a quadrille. A Sunday-school hymn, no matter how rapidly it was rendered, seemed to fall short of the necessary vivacity for a polka. Besides, the