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Today's Stichomancy for Hans Christian Andersen

The first excerpt represents the past or something you must release, and is drawn from A treatise on Good Works by Dr. Martin Luther:

walking alone; when alone he may walk, jump, and do as he will; but when he drives, he must so guide and adapt himself that the wagon and horses can follow him, and regard that more than his own will. So also a prince leads a multitude with him and must not walk and act as he wills, but as the multitude can, considering their need and advantage more than his will and pleasure. For when a prince rules after his own mad will and follows his own opinion, he is like a mad driver, who rushes straight ahead with horse and wagon, through bushes, thorns, ditches, water, up hill and down dale, regardless of roads and bridges; he will not drive long, all will go to smash.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Man against the Sky by Edwin Arlington Robinson:

Than a wave-wash on a shore -- Till a Demon shuts a door.

So, if he be very still With his Demon, and one will, Murmurs of it may be blown To my friend who is alone In a room that I have known.

After that from everywhere Singing life will find him there; Then the door will open wide, And my friend, again outside,

The third excerpt represents the future or something you must embrace, and is drawn from Ion by Plato:

ION: Yes, indeed, Socrates; I very much wish that you would: for I love to hear you wise men talk.

SOCRATES: O that we were wise, Ion, and that you could truly call us so; but you rhapsodes and actors, and the poets whose verses you sing, are wise; whereas I am a common man, who only speak the truth. For consider what a very commonplace and trivial thing is this which I have said--a thing which any man might say: that when a man has acquired a knowledge of a whole art, the enquiry into good and bad is one and the same. Let us consider this matter; is not the art of painting a whole?

ION: Yes.

SOCRATES: And there are and have been many painters good and bad?