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Today's Stichomancy for Hans Christian Andersen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Adam Bede by George Eliot:

anything he would not rather have lost than the two-feet ruler which he always carried in his pocket; it was Arthur's present, bought with his pocket-money when he was a fair-haired lad of eleven, and when he had profited so well by Adam's lessons in carpentering and turning as to embarrass every female in the house with gifts of superfluous thread-reels and round boxes. Adam had quite a pride in the little squire in those early days, and the feeling had only become slightly modified as the fair-haired lad had grown into the whiskered young man. Adam, I confess, was very susceptible to the influence of rank, and quite ready to give an extra amount of respect to every one who had more advantages than


Adam Bede
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wrong Box by Stevenson & Osbourne:

It is often the cheering task of the historian to direct attention to the designs and (if it may be reverently said) the artifices of Providence. In the luggage van, as Joseph was borne out of the station of Southampton East upon his way to London, the egg of his romance lay (so to speak) unhatched. The huge packing-case was directed to lie at Waterloo till called for, and addressed to one 'William Dent Pitman'; and the very next article, a goodly barrel jammed into the corner of the van, bore the superscription, 'M. Finsbury, 16 John Street, Bloomsbury. Carriage paid.'

In this juxtaposition, the train of powder was prepared; and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Voyage to Arcturus by David Lindsay:

with whom they reside.

"Presently I turned giddy, and lay at full length for a great while, clutching the two edges of the path with both hands, and staring at the ground I was lying on with wide - open eyes. When that passed I felt like a different man and grew conceited and gay. About halfway across I saw someone approaching me a long way off. This put fear into my heart again, for I did not see how we could very well pass. However, I went slowly on, and presently we drew near enough together for me to recognise the walker. It was Slofork, the so - called sorcerer. I had never met him before, but I knew him by his peculiarities of person. He was of a bright gamboge colour and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Brother of Daphne by Dornford Yates:

When I reached my hotel, I passed quickly upstairs to the sitting-room.

"Here he is," said Daphne "Come along, darling, and have some supper, and tell us all about it."

"Supper!" said Berry. "Woman, you forget yourself. You are no longer on the joy-wheel. My lord has dined."

"As a matter of fact, I have," said I. "Madame gave me some dinner at the Opera House."

"Of course," said Berry.

"What did I say? We grovelling worms can gnaw our sandwiches the while he cracks bottles of- champagne, was it?"


The Brother of Daphne