| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Domestic Peace by Honore de Balzac: round the immense ballroom, admiring this dado of diamonds, rubies,
masses of gold and shining hair, of which the lustre almost outshone
the blaze of waxlights, the cutglass of the chandeliers, and the
gilding. His rival's stolid indifference put the lawyer out of
countenance. Quite incapable of controlling his secret transports of
impatience, Martial went towards Madame de Vaudremont with a bow. On
seeing the Provencal, Soulanges gave him a covert glance, and
impertinently turned away his head. Solemn silence now reigned in the
room, where curiosity was at the highest pitch. All these eager faces
wore the strangest mixed expressions; every one apprehended one of
those outbreaks which men of breeding carefully avoid. Suddenly the
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Eugenie Grandet by Honore de Balzac: As soon as Charles announced his immediate departure, Grandet
bestirred himself to testify much interest in his nephew. He became
very liberal of all that cost him nothing; took pains to find a
packer; declared the man asked too much for his cases; insisted on
making them himself out of old planks; got up early in the morning to
fit and plane and nail together the strips, out of which he made, to
his own satisfaction, some strong cases, in which he packed all
Charles's effects; he also took upon himself to send them by boat down
the Loire, to insure them, and get them to Nantes in proper time.
After the kiss taken in the passage, the hours fled for Eugenie with
frightful rapidity. Sometimes she thought of following her cousin.
 Eugenie Grandet |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The King of the Golden River by John Ruskin: length. "Can't you give me a little bit?"
"Impossible, sir," said Gluck.
"I'm very hungry," continued the old gentleman. "I've had
nothing to eat yesterday nor to-day. They surely couldn't miss a
bit from the knuckle!"
He spoke in so very melancholy a tone that it quite melted
Gluck's heart. "They promised me one slice to-day, sir," said
he; "I can give you that, but not a bit more."
"That's a good boy," said the old gentleman again.
Then Gluck warmed a plate and sharpened a knife. "I don't
care if I do get beaten for it," thought he. Just as he had cut
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs: straightened up, half dazed still.
"Look," said Ghek, then, "I have given your jeddak his life,
nor have I harmed one of those whom I might easily have slain
when they were in my power. No harm have I or my friends done in
the city of Manator. Why then should you persecute us? Give us
our lives. Give us our liberty."
O-Tar, now in command of his faculties, stooped and regained his
sword. In the room was silence as all waited to hear the jeddak's
answer.
"Just are the laws of Manator," he said at last. "Perhaps, after
all, there is truth in the words of the stranger. Return him then
 The Chessmen of Mars |