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Today's Stichomancy for Harry Houdini

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Around the World in 80 Days by Jules Verne:

was familiar with the pagoda of Pillaji, in which, as he declared, the young woman was imprisoned. Could they enter any of its doors while the whole party of Indians was plunged in a drunken sleep, or was it safer to attempt to make a hole in the walls? This could only be determined at the moment and the place themselves; but it was certain that the abduction must be made that night, and not when, at break of day, the victim was led to her funeral pyre. Then no human intervention could save her.

As soon as night fell, about six o'clock, they decided to make a reconnaissance around the pagoda. The cries of the fakirs were just ceasing; the Indians were in the act of plunging themselves


Around the World in 80 Days
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

face with all the strength that lay within him. The blade struck at the junction of the neck and torso and with such force as to completely decapitate the Wieroo, the hideous head dropping to the floor and the body falling forward upon the Englishman. Pushing it from him he rose to his feet and faced the wide-eyed girl.

"Luata!" she exclaimed. "How came you here?"

Bradley shrugged. "Here I am," he said; "but the thing now is to get out of here--both of us."

The girl shook her head. "It cannot be," she stated sadly.

"That is what I thought when they dropped me into the Blue Place of Seven Skulls," replied Bradley. "Can't be done. I did it.--


Out of Time's Abyss
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Blue Flower by Henry van Dyke:

rain swept down in spiteful volleys, deepening at last into a fierce, steady discharge. Nine o'clock, ten o'clock passed, and Keene did not return. By midnight we were certain that some accident had befallen him.

It was impossible to go up into the mountains in that pitch-darkness of furious tempest. But we could send down to the village for men to organise a search-party and to bring the doctor. At daybreak we set out--some of the men going with the Master along Black Brook, others in different directions to make sure of a complete search--Graham and the doctor and I following the secret trail that I knew only too

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from McTeague by Frank Norris:

his head. His massive jaw protruded more than ever, while his teeth clicked and grated together; then he growled:

"If ever I meet Marcus Schouler--" he broke off abruptly, the white of his eyes growing suddenly pink.

"Oh, if ever you DO," exclaimed Trina, catching her breath.

CHAPTER 14

"Well, what do you think?" said Trina.

She and McTeague stood in a tiny room at the back of the flat and on its very top floor. The room was whitewashed. It contained a bed, three cane-seated chairs, and a wooden


McTeague