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Today's Stichomancy for Heidi Klum

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Beasts of Tarzan by Edgar Rice Burroughs:

to compass his death, and he realized that what the man had already done would doubtless be as nothing by comparison with what he would wish and plot to do now that he was again free.

Tarzan had recently brought his wife and infant son to London to escape the discomforts and dangers of the rainy season upon their vast estate in Uziri--the land of the savage Waziri warriors whose broad African domains the ape-man had once ruled.

He had run across the Channel for a brief visit with his old friend, but the news of the Russian's escape had already cast a shadow upon his outing, so that though he had but just arrived he was already contemplating an immediate return to London.


The Beasts of Tarzan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Apology by Xenophon:

a loss to imagine on what ground[20] Meletus asserts that I do not recognise the gods which are recognised by the state, since, as far as sacrificing goes, the rest of the world who have chanced to be present have been in the habit of seeing me so engaged at common festivals, and on the public altars; and so might Meletus himself, if he had wished. And as to novel divinities, how, pray, am I supposed to introduce them by stating that I have a voice[21] from God which clearly signifies to me what I ought do do? Why, what else do those who make use of the cries of birds or utterences of men draw their conclusions from if not from voices? Who will deny that the thunder has a voice and is a very mighty omen;[22] and the priestess on her


The Apology
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

totems; and it must not by any means be supposed that this practice is (or was) universal; but it undoubtedly obtains in some cases. As Miss Harrison says (Themis, p. 123); "you do not as a rule eat your relations," and as a rule the eating of a totem is tabu and forbidden, but (Miss Harrison continues) "at certain times and under certain restrictions a man not only may, but MUST, eat of his totem, though only sparingly, as of a thing sacrosanct." The ceremonial carried out in a communal way by the tribe not only identifies the tribe with the totem (animal), but is held, according to early magical ideas, and when the


Pagan and Christian Creeds
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Fables by Robert Louis Stevenson:

told to children. Scores of us come here among the woods and dance for nights together, and are none the worse."

This put Jack in a thousand new thoughts. He was a grave lad; he had no mind to dance himself; he wore his fetter manfully, and tended his ulcer without complaint. But he loved the less to be deceived or to see others cheated. He began to lie in wait for heathen travellers, at covert parts of the road, and in the dusk of the day, so that he might speak with them unseen; and these were greatly taken with their wayside questioner, and told him things of weight. The wearing of gyves (they said) was no command of Jupiter's. It was the contrivance of a white-faced thing, a