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Today's Stichomancy for Heidi Klum

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

wood of the Zoogs, whence the way would bend northward through the garden lands by Oukranos to the gilded spires of Thran, where he might find a galleon bound over the Cerenarian Sea. But dusk was now thick, and the great carven face looked down even sterner in shadow. Perched on that ledge night found the seeker; and in the blackness he might neither go down nor go up, but only stand and cling and shiver in that narrow place till the day came, praying to keep awake lest sleep loose his hold and send him down the dizzy miles of air to the crags and sharp rocks of the accursed valley. The stars came out, but save for them there was only black


The Dream-Quest of Unknown Kadath
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Parmenides by Plato:

more under the necessity of separating the divine from the human, as two spheres which had no communication with one another.

It is remarkable that Plato, speaking by the mouth of Parmenides, does not treat even this second class of difficulties as hopeless or insoluble. He says only that they cannot be explained without a long and laborious demonstration: 'The teacher will require superhuman ability, and the learner will be hard of understanding.' But an attempt must be made to find an answer to them; for, as Socrates and Parmenides both admit, the denial of abstract ideas is the destruction of the mind. We can easily imagine that among the Greek schools of philosophy in the fourth century before Christ a panic might arise from the denial of universals, similar to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Fisherman's Luck by Henry van Dyke:

follow for days without wearying, growing stronger and more furious with every turn of the chase. Let but a trail of smoke drift down the wind across the forest, and all the game for miles and miles will catch the signal for fear and flight.

Many of the animals have learned how to make houses for themselves. The CABANE of the beaver is a wonder of neatness and comfort, much preferable to the wigwam of his Indian hunter. The muskrat knows how thick and high to build the dome of his waterside cottage, in order to protect himself against the frost of the coming winter and the floods of the following spring. The woodchuck’s house has two or three doors; and the squirrel’s dwelling is provided with a good

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

Forever since my maidenhood to sow Sorrow and blood about me? Lo, they keep Their bitter care above me even now. It was the gods who led me to this lair, That tho' the burning winds should make me weak, They should not snatch the life from out my lips. Olympus let the other women die; They shall be quiet when the day is done And have no care to-morrow. Yet for me There is no rest. The gods are not so kind To her made half immortal like themselves.