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Today's Stichomancy for Heidi Klum

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In the Cage by Henry James:

shove off on him whenever she could the registration of letters, a job she happened particularly to loathe. After the long stupors, at all events, there almost always suddenly would come a sharp taste of something; it was in her mouth before she knew it; it was in her mouth now.

To Cissy, to Mary, whichever it was, she found her curiosity going out with a rush, a mute effusion that floated back to her, like a returning tide, the living colour and splendour of the beautiful head, the light of eyes that seemed to reflect such utterly other things than the mean things actually before them; and, above all, the high curt consideration of a manner that even at bad moments

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Personal Record by Joseph Conrad:

desire to go to sea. But for a boy between fifteen and sixteen, sensitive enough, in all conscience, the commotion of his little world had seemed a very considerable thing indeed. So considerable that, absurdly enough, the echoes of it linger to this day. I catch myself in hours of solitude and retrospect meeting arguments and charges made thirty-five years ago by voices now forever still; finding things to say that an assailed boy could not have found, simply because of the mysteriousness of his impulses to himself. I understood no more than the people who called upon me to explain myself. There was no precedent. I verily believe mine was the only case of a boy of my nationality


A Personal Record
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Maria, or the Wrongs of Woman by Mary Wollstonecraft:

sentiment. I disregarded present inconveniences, when my mind had done struggling with itself,--when reason and inclination had shaken hands and were at peace. I had no longer the cruel task before me, in endless perspective, aye, during the tedious for ever of life, of labouring to overcome my repugnance--of labouring to extinguish the hopes, the maybes of a lively imagination. Death I had hailed as my only chance for deliverance; but, while existence had still so many charms, and life promised happiness, I shrunk from the icy arms of an unknown tyrant, though far more inviting than those of the man, to whom I supposed myself bound without any other alternative; and was content to linger a little longer,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Apology by Plato:

procures himself a hearing by conciliatory words. He does not attack the Sophists; for they were open to the same charges as himself; they were equally ridiculed by the Comic poets, and almost equally hateful to Anytus and Meletus. Yet incidentally the antagonism between Socrates and the Sophists is allowed to appear. He is poor and they are rich; his profession that he teaches nothing is opposed to their readiness to teach all things; his talking in the marketplace to their private instructions; his tarry-at-home life to their wandering from city to city. The tone which he assumes towards them is one of real friendliness, but also of concealed irony. Towards Anaxagoras, who had disappointed him in his hopes of learning about mind and nature, he shows a less kindly feeling, which is