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Today's Stichomancy for Henry Ford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Age of Innocence by Edith Wharton:

of manners where they would naturally merge.

He was reminded of this by trying to picture the society in which the Countess Olenska had lived and suffered, and also--perhaps--tasted mysterious joys. He remembered with what amusement she had told him that her grandmother Mingott and the Wellands objected to her living in a "Bohemian" quarter given over to "people who wrote." It was not the peril but the poverty that her family disliked; but that shade escaped her, and she supposed they considered literature compromising.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pathology of Lying, Etc. by William and Mary Healy:

suggestion that she might be considerably older. Since her letters, although showing very good choice of words, were incorrectly punctuated, we inquired further about her education. She said she had received 18 credits in a noted girls' seminary in the south, but later reversed this and stated she had very little education. She told us her experiences of the last few months when she had been introducing literary works in the towns of Iowa. She had done well for a beginner at this, we found from other sources, but had made misrepresentations and had talked too freely, against her employers' wishes and advice. Finally she had sent in forged orders. This was quite unnecessary, for her

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Jane Eyre by Charlotte Bronte:

I hardly know whether I had slept or not after this musing; at any rate, I started wide awake on hearing a vague murmur, peculiar and lugubrious, which sounded, I thought, just above me. I wished I had kept my candle burning: the night was drearily dark; my spirits were depressed. I rose and sat up in bed, listening. The sound was hushed.

I tried again to sleep; but my heart beat anxiously: my inward tranquillity was broken. The clock, far down in the hall, struck two. Just then it seemed my chamber-door was touched; as if fingers had swept the panels in groping a way along the dark gallery outside. I said, "Who is there?" Nothing answered. I was chilled


Jane Eyre
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

INSPECTING the same--something beyond and behind, as it were. So I now concentrate my thoughts upon that inner Something, in order to find out what it really is. I imagine perhaps an inner being, of 'astral' or ethereal nature, and possessing a new range of much finer and more subtle qualities than the body--a being inhabiting the body and perceiving through its senses, but quite capable of surviving the tenement in which it dwells and I think of that as the Self. But no sooner have I taken this step than I perceive that I am committing the same mistake as before. I am only contemplating a new image or picture, and "I" still remain beyond and behind that which I contemplate.


Pagan and Christian Creeds