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Today's Stichomancy for Henry Ford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mucker by Edgar Rice Burroughs:

you seen the bo that mussed up the two yeggmen who rolled her an' were tryin' to croak her wit a butcher knife. I guess she ain't fergot. Me an' my pal were beatin' it--he was on the square but the dicks was after me an' she let us have money to make our get-away. She's all right, kid."

There came a knock at the outer office door. Eddie sprang back into the front room, closing and locking the door after him, just as Barbara entered.

"Eddie," she asked, "may I see the prisoner? I want to talk to him."

"You want to talk with a bank robber?" exclaimed Eddie.


The Mucker
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

do with yourself; it's no use brandishing that staff." For indeed at that moment Archie had made a sudden - perhaps a warlike - movement. "This has been the most insane affair; you know it has. You know very well that I'm playing the good Samaritan. All I wish is to keep you quiet."

"If quietness is what you wish, Mr. Innes," said Archie, "and you will promise to leave me entirely to myself, I will tell you so much, that I am going to walk in the country and admire the beauties of nature."

"Honour bright?" asked Frank.

"I am not in the habit of lying, Mr. Innes," retorted Archie. "I have the honour of wishing you good-day."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

professional sort. He had spent more money - no less than three individual fortunes, it was whispered - than any of his associates could ever hope to gain. Apart from his colonial career, he had been to Greece in a brigantine with four brass carronades; he had travelled Europe in a chaise and four, drawing bridle at the palace-doors of German princes; queens of song and dance had followed him like sheep and paid his tailor's bills. And to behold him now, seeking small loans with plaintive condescension, sponging for breakfast on an art-student of nineteen, a fallen Don Juan who had neglected to die at the propitious hour, had a colour of romance for

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

and, thirdly, to explain one or two misconceptions. But he is not the Square he once was. Years of imprisonment, and the still heavier burden of general incredulity and mockery, have combined with the natural decay of old age to erase from his mind many of the thoughts and notions, and much also of the terminology, which he acquired during his short stay in Spaceland. He has, therefore, requested me to reply in his behalf to two special objections, one of an intellectual, the other of a moral nature.

The first objection is, that a Flatlander, seeing a Line, sees something that must be THICK to the eye as well as LONG to the eye (otherwise it would not be visible, if it had not


Flatland: A Romance of Many Dimensions