Today's Stichomancy for Hilary Duff

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Land of Footprints by Stewart Edward White:

with the lurid portent of a storm-while the twenty thousand foot mountains below, crouched whipped and insignificant to the earth.

We sat atop our butte for an hour while H. looked through his 'scope. After the soft silent immensity of the earth, running away to infinity, with its low waves, and its scattered fleet of hills, it was with difficulty that we brought our gaze back to details and to things near at hand. Directly below us we could make out many different-hued specks. Looking closely, we could see that those specks were game animals. They fed here and there in bands of from ten to two hundred, with valleys and hills between. Within the radius of the eye they moved, nowhere crowded

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Georgics by Virgil:

And ocean-folk, and flocks, and painted birds, Rush to the raging fire: love sways them all. Never than then more fiercely o'er the plain Prowls heedless of her whelps the lioness: Nor monstrous bears such wide-spread havoc-doom Deal through the forests; then the boar is fierce, Most deadly then the tigress: then, alack! Ill roaming is it on Libya's lonely plains. Mark you what shivering thrills the horse's frame, If but a waft the well-known gust conveys? Nor curb can check them then, nor lash severe,

Georgics

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tapestried Chamber by Walter Scott:

well as I can, relying upon your candour, and yet distinctly feeling that I would rather face a battery than recall to my mind the odious recollections of last night."

He paused a second time, and then perceiving that Lord Woodville remained silent and in an attitude of attention, he commenced, though not without obvious reluctance, the history of his night's adventures in the Tapestried Chamber.

"I undressed and went to bed so soon as your lordship left me yesterday evening; but the wood in the chimney, which nearly fronted my bed, blazed brightly and cheerfully, and, aided by a hundred exciting recollections of my childhood and youth, which

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland:

months old, on her mother's knee near by, we picked up her rubber doll and began to whip it violently. The child first looked frightened, then severe, then burst into tears and plead with her mother not to "let papa whip dolly." Few people realize how much toys become a part of the life of the children who play with them. They are often looked upon as nothing more than "playthings for children." This is a very narrow view of their uses and relationships. There is a philosophy underlying the production of toys as old as the world and as broad as life, a