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The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from Pierre Grassou by Honore de Balzac: sojourned; but everywhere he disarmed his comrades by his modesty and
by the patience and gentleness of a lamblike nature. The masters,
however, had no sympathy for the good lad; masters prefer bright
fellows, eccentric spirits, droll or fiery, or else gloomy and deeply
reflective, which argue future talent. Everything about Pierre Grassou
smacked of mediocrity. His nickname "Fougeres" (that of the painter in
the play of "The Eglantine") was the source of much teasing; but, by
force of circumstances, he accepted the name of the town in which he
had first seen light.
Grassou of Fougeres resembled his name. Plump and of medium height, he
had a dull complexion, brown eyes, black hair, a turned-up nose,
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