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Today's Stichomancy for Ho Chi Minh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Bucolics by Virgil:

Or furious rivers their restraining banks."

CORYDON "The junipers and prickly chestnuts stand, And 'neath each tree lie strewn their several fruits, Now the whole world is smiling, but if fair Alexis from these hill-slopes should away, Even the rivers you would ; see run dry."

THYRSIS "The field is parched, the grass-blades thirst to death In the faint air; Liber hath grudged the hills His vine's o'er-shadowing: should my Phyllis come,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

revealed Giotto, - as the one word "moi" betrayed the Stratford atte-Bowe-taught Anglais, - so all a man's antecedents and possibilities are summed up in a single utterance which gives at once the gauge of his education and his mental organization.

Possibilities, Sir? - said the divinity-student; can't a man who says HAOW? arrive at distinction?

Sir, - I replied, - in a republic all things are possible. But the man WITH A FUTURE has almost of necessity sense enough to see that any odious trick of speech or manners must be got rid of. Doesn't Sydney Smith say that a public man in England never gets over a false quantity uttered in early life? OUR public men are in little


The Autocrat of the Breakfast-Table
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Songs of Innocence and Experience by William Blake:

The little ones spend the day In sighing and dismay.

Ah then at times I drooping sit, And spend many an anxious hour; Nor in my book can I take delight, Nor sit in learning's bower, Worn through with the dreary shower.

How can the bird that is born for joy Sit in a cage and sing? How can a child, when fears annoy, But droop his tender wing,


Songs of Innocence and Experience
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Intentions by Oscar Wilde:

them, but has absolutely nothing to do with oneself. The man who regards his past is a man who deserves to have no future to look forward to. When one has found expression for a mood, one has done with it. You laugh; but believe me it is so. Yesterday it was Realism that charmed one. One gained from it that NOUVEAU FRISSON which it was its aim to produce. One analysed it, explained it, and wearied of it. At sunset came the LUMINISTE in painting, and the SYMBOLISTE in poetry, and the spirit of mediaevalism, that spirit which belongs not to time but to temperament, woke suddenly in wounded Russia, and stirred us for a moment by the terrible fascination of pain. To-day the cry is for Romance, and already