| The first excerpt represents the past or something you must release, and is drawn from At the Mountains of Madness by H. P. Lovecraft: our tale sounded realistic and prosaic enough not to tempt any
of the others into emulating our flight. Had any tried to do that,
I would have used every ounce of my persuasion to stop them -
and I do not know what Danforth would have done. While we were
gone, Pabodie, Sherman, Ropes, McTighe, and Williamson had worked
like beavers over Lake’s two best planes, fitting them again for
use despite the altogether unaccountable juggling of their operative
mechanism.
We decided to load all the planes the next morning
and start back for our old base as soon as possible. Even though
indirect, that was the safest way to work toward McMurdo Sound;
 At the Mountains of Madness |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The People That Time Forgot by Edgar Rice Burroughs: here we are as helpless as a lot of old ladies ten thousand
miles away! We can't do a thing. We don't know what's happening.
Why didn't he let one of us go with him?"
Yes, it was the machine-gun. We would hear it distinctly for
at least a minute. Then came silence. That was two weeks ago.
We have had no sign nor signal from Tom Billings since.
Chapter 2
I'll never forget my first impressions of Caspak as I circled
in, high over the surrounding cliffs. From the plane I looked
down through a mist upon the blurred landscape beneath me.
The hot, humid atmosphere of Caspak condenses as it is fanned
 The People That Time Forgot |
The third excerpt represents the future or something you must embrace, and is drawn from Buttered Side Down by Edna Ferber: Chicago, Mrs. Judge Porterfield had worn the negro porter's coat
over her chilly shoulders in mistake for her husband's. Kate
O'Malley can tell a funny story in a way to make the after-dinner
pleasantries of a Washington diplomat sound like the clumsy jests
told around the village grocery stove.
"I wanted to tell you that I read that last story of yours,"
said Millie, sociably, when I had strolled over to her counter,
"and I liked it, all but the heroine. She had an `adorable throat'
and hair that `waved away from her white brow,' and eyes that `now
were blue and now gray.' Say, why don't you write a story about an
ugly girl?"
 Buttered Side Down |