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Today's Stichomancy for Hugh Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Falk by Joseph Conrad:

I enjoyed it greatly, and on my part I brought a little mild excitement into it. Our intimacy arose from the pursuit of that thief. It was in the even- ing, and Hermann, who, contrary to his habits, had stayed on shore late that day, was extricating him- self backwards out of a little gharry on the river bank, opposite his ship, when the hunt passed. Realising the situation as though he had eyes in his shoulder-blades, he joined us with a leap and took the lead. The Chinaman fled silent like a rapid shadow on the dust of an extremely oriental road.


Falk
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Bickerstaff-Partridge Papers by Jonathan Swift:

that it is only parting with a perishable commodity, hardly of so much value as a callico under-petticoat; since, like its mistress, it will be useless in the form it is now in. If the ladies have no regard to the dishonour and immorality of the action, I desire they will consider, that nature who never destroys her own productions, will exempt big-belly'd women till the time of their lying-in; so that not to be transformed, will be the same as to be pregnant. If they don't think it worth while to defend a fortress that is to be demolish'd in a few days, let them reflect that it will be a melancholy thing nine months hence, to be brought to bed of a bastard; a posthumous bastard as

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sesame and Lilies by John Ruskin:

amazement, the unconquerable apathy in ourselves and hearers, no less than in these the teachers; and that while the wisdom and rightness of every act and art of life could only be consistent with a right understanding of the ends of life, we were all plunged as in a languid dream--our hearts fat, and our eyes heavy, and our ears closed, lest the inspiration of hand or voice should reach us--lest we should see with our eyes, and understand with our hearts, and be healed.

This intense apathy in all of us is the first great mystery of life; it stands in the way of every perception, every virtue. There is no making ourselves feel enough astonishment at it. That the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Adam Bede by George Eliot:

end on't he's more addle-headed than he was at the beginning. He's full o' this peace now, as they talk on; he's been reading and reading, and thinks he's got to the bottom on't. 'Why, Lor' bless you, Mills,' says I, 'you see no more into this thing nor you can see into the middle of a potato. I'll tell you what it is: you think it'll be a fine thing for the country. And I'm not again' it--mark my words--I'm not again' it. But it's my opinion as there's them at the head o' this country as are worse enemies to us nor Bony and all the mounseers he's got at 's back; for as for the mounseers, you may skewer half-a-dozen of 'em at once as if they war frogs.'"


Adam Bede