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Today's Stichomancy for Hugh Grant

The first excerpt represents the past or something you must release, and is drawn from A Voyage to Abyssinia by Father Lobo:

his labours and sufferings. It is not in my power to represent the different passions they were affected with at seeing us pale, meagre, without clothes--in a word, almost naked and almost dead with fatigue and ill-usage. They could not behold us in that miserable condition without reflecting on the hardships we had undergone, and our brethren then underwent, in Suaquem and Abyssinia. Amidst their thanks to God for our deliverance, they could not help lamenting the condition of the patriarch and the other missionaries who were in chains, or, at least, in the hands of professed enemies to our holy religion. All this did not hinder them from testifying in the most obliging manner their joy for our

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Sesame and Lilies by John Ruskin:

may surely learn, at least, how, at present, conveniently to live in it. What will THEY say to us, or show us by example? These kings-- these councillors--these statesmen and builders of kingdoms--these capitalists and men of business, who weigh the earth, and the dust of it, in a balance. They know the world, surely; and what is the mystery of life to us, is none to them. They can surely show us how to live, while we live, and to gather out of the present world what is best.

I think I can best tell you their answer, by telling you a dream I had once. For though I am no poet, I have dreams sometimes:- I dreamed I was at a child's Mayday party, in which every means of

The third excerpt represents the future or something you must embrace, and is drawn from The Muse of the Department by Honore de Balzac:

manor-house, which, though small, did not lack style with its turrets and gables, she laid out a second garden with shrubs, flower-beds, and lawns, and divided it from the vineyards by a wall hidden under creepers. She also made everything within doors as comfortable as their narrow circumstances allowed.

In order not to be ruined by a young lady so very superior as Dinah seemed to be, Monsieur de la Baudraye was shrewd enough to say nothing as to the recovery of debts in Paris. This dead secrecy as to his money matters gave a touch of mystery to his character, and lent him dignity in his wife's eyes during the first years of their married life--so majestic is silence!


The Muse of the Department