Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Hugh Hefner

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Iliad by Homer:

the javelins off him. He tripped against this and fell face upward, his helmet ringing loudly about his head as he did so. Hector saw him fall and ran up to him; he then thrust a spear into his chest, and killed him close to his own comrades. These, for all their sorrow, could not help him for they were themselves terribly afraid of Hector.

They had now reached the ships and the prows of those that had been drawn up first were on every side of them, but the Trojans came pouring after them. The Argives were driven back from the first row of ships, but they made a stand by their tents without being broken up and scattered; shame and fear restrained them.


The Iliad
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Drama on the Seashore by Honore de Balzac:

singing? To be able to appreciate properly the emotion that held us, it would be necessary to share the state of half sensuous delight into which the events of the morning had plunged us. Admire for a long time some pretty dove with iridescent colors, perched on a swaying branch above a spring, and you will give a cry of pain when you see a hawk swooping down upon her, driving its steel claws into her breast, and bearing her away with murderous rapidity. When we had advanced a step or two into an open space which lay before what seemed to be a grotto, a sort of esplanade placed a hundred feet above the ocean, and protected from its fury by buttresses of rock, we suddenly experienced an electrical shudder, something resembling the shock of a sudden

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

to let his son spend a third of his life in abstract studies. The children of the poor are therefore allowed to "feel" from their earliest years, and they gain thereby a precocity and an early vivacity which contrast at first most favourably with the inert, undeveloped, and listless behaviour of the half-instructed youths of the Polygonal class; but when the latter have at last completed their University course, and are prepared to put their theory into practice, the change that comes over them may almost be described as a new birth, and in every art, science, and social pursuit they rapidly overtake and distance their Triangular competitors.


Flatland: A Romance of Many Dimensions
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Human Drift by Jack London:

as we looked, we saw a strand fray and part. Then we jumped. Scarcely had we bent another line between the stern and the wharf, when the original line parted. As we bent another line for'ard, the original one there crackled and parted. After that, it was an inferno of work and excitement.

We ran more and more lines, and more and more lines continued to part, and more and more the pretty boat went over on her side. We bent all our spare lines; we unrove sheets and halyards; we used our two-inch hawser; we fastened lines part way up the mast, half way up, and everywhere else. We toiled and sweated and enounced our mutual and sincere conviction that God's grudge still held