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Today's Stichomancy for Hugh Hefner

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Three Taverns by Edwin Arlington Robinson:

The wealth of my worn casket. If I did, The fault was not yours wholly. Search again This wreckage we may call for sport a face, And you may chance upon the price of havoc That I have paid for a few sorry stones That shine and have no light -- yet once were stars, And sparkled on a crown. Little and weak They seem; and they are cold, I fear, for you. But they that once were fire for me may not Be cold again for me until I die; And only God knows if they may be then.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Light of Western Stars by Zane Grey:

this evidently was made by the spring which had given both value and fame to Don Carlos's range. The approach to the house was through a wide courtyard, bare, stony, hard packed, with hitching-rails and watering-troughs in front of a long porch. Several dusty, tired horses stood with drooping heads and bridles down, their wet flanks attesting to travel just ended.

"Wal, dog-gone it, Al, if there ain't Pat Hawe's hoss I'll eat it," exclaimed Stillwell.

"What's Pat want here, anyhow?" growled Alfred.

No one was in sight; but Madeline heard loud voices coming from the house. Stillwell dismounted at the porch and stalked in at


The Light of Western Stars
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In Darkest England and The Way Out by General William Booth:

sleep until six. We have never any disturbances of any kind in the Shelters. We have provided accommodation now for several thousand of the most helplessly broken-down men in London, criminals many of them, mendicants, tramps, those who are among the filth and offscouring of all things; but such is the influence that is established by the meeting and the moral ascendancy of our officers themselves, that we have never had a fight on the premises, and very seldom do we ever hear an oath or an obscene word. Sometimes there has been trouble outside the Shelter, when men insisted upon coming in drunk or were otherwise violent; but once let them come to the Shelter, and get into the swing of the concern, and we have no trouble with them. In the morning they


In Darkest England and The Way Out
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Reef by Edith Wharton:

make his past pay for his future.

The girl, at his words, had lifted her head with a movement of surprise. Her eyes slowly reached his face and rested there in a gaze of deep interrogation. He held the look for a moment; then his own eyes dropped and he waited.

At length she began to speak. "You're mistaken--you're quite mistaken."

He waited a moment longer. "Mistaken----?"

"In thinking what you think. I'm as happy as if I deserved it!" she suddenly proclaimed with a laugh.

She stood up and moved toward the door. "NOW are you