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Today's Stichomancy for Hugh Jackman

The first excerpt represents the past or something you must release, and is drawn from On Revenues by Xenophon:

at which they first began to be worked.[2] Now in spite of the fact that the silver ore has been dug and carried out for so long a time, I would ask you to note that the mounds of rubbish so shovelled out are but a fractional portion of the series of hillocks containing veins of silver, and as yet unquarried. Nor is the silver-bearing region gradually becoming circumscribed. On the contrary it is evidently extending in wider area from year to year. That is to say, during the period in which thousands of workers[3] have been employed within the mines no hand was ever stopped for want of work to do. Rather, at any given moment, the work to be done was more than enough for the hands employed. And so it is to-day with the owners of slaves working in the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Scarlet Letter by Nathaniel Hawthorne:

not fail to be distributed in strict accordance arid proportion with the intimacy and sacredness of their previous relationship. Then why -- since the choice was with himself -- should the individual, whose connexion with the fallen woman had been the most intimate and sacred of them all, come forward to vindicate his claim to an inheritance so little desirable? He resolved not to be pilloried beside her on her pedestal of shame. Unknown to all but Hester


The Scarlet Letter
The third excerpt represents the future or something you must embrace, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar:

array itself in its coolest and fluffiest garments, and go down to the pier to meet this sole connection between itself and the outside world; the little, puffy, side-wheel steamer that comes daily from New Orleans and brings the mail and the news.

On this particular day there was an air of suppressed excitement about the little knot of people which gathered on the pier. To be sure, there were no outward signs to show that anything unusual had occurred. The small folks danced with the same glee over the worn boards, and peered down with daring excitement into the perilous depths of the water below. The sun, fast sinking in a gorgeous glow behind the pines of the Tchefuncta region far


The Goodness of St. Rocque and Other Stories