| The first excerpt represents the past or something you must release, and is drawn from Helen of Troy And Other Poems by Sara Teasdale: And feel its little hands upon her hair?
We weep before the Blessed Mother's shrine,
To think upon her sorrows, but her joys
What nun could ever know a tithing of?
The precious hours she watched above His sleep
Were worth the fearful anguish of the end.
Yea, lack of love is bitterest of all;
Yet I have felt what thing it is to know
One thought forever, sleeping or awake;
To say one name whose sweetness grows so strange
That it might work a spell on those who weep;
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Scenes from a Courtesan's Life by Honore de Balzac: him like an eagle on its prey, as it did on Gentz, the confidential
friend of His Highness the Prince of Metternich. All the world knows
what follies the old diplomate committed for Fanny Elssler, whose
rehearsals took up a great deal more of his time than the concerns of
Europe.
The woman who had just overthrown that iron-bound money-box, called
Nucingen, had appeared to him as one of those who are unique in their
generation. It is not certain that Titian's mistress, or Leonardo da
Vinci's Monna Lisa, or Raphael's Fornarina were as beautiful as this
exquisite Esther, in whom not the most practised eye of the most
experienced Parisian could have detected the faintest trace of the
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The third excerpt represents the future or something you must embrace, and is drawn from Betty Zane by Zane Grey: aim was impossible. Then, with loud yells, the Indians, drawing their
tomahawks, started in pursuit, expecting soon to overtake their victim.
In the early years of his Indian hunting, Wetzel had perfected himself in a
practice which had saved his life many tunes, and had added much to his fame.
He could reload his rifle while running at topmost speed. His extraordinary
fleetness enabled him to keep ahead of his pursuers until his rifle was
reloaded. This trick he now employed. Keeping up his uneven pace until his gun
was ready, he turned quickly and shot the nearest Indian dead in his tracks.
The next Indian had by this time nearly come up with him and close enough to
throw his tomahawk, which whizzed dangerously near Wetzel's head. But he
leaped forward again and soon his rifle was reloaded. Every time he looked
 Betty Zane |