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Today's Stichomancy for Ian McKellan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pericles by William Shakespeare:

But if I cannot win you to this love, Go search like nobles, like noble subjects, And in your search spend your adventurous worth; Whom if you find, and win unto return, You shall like diamonds sit about his crown.

FIRST LORD. To wisdom he's a fool that will not yield; And since Lord Helicane enjoineth us, We with our travels will endeavour us.

HELICANUS. Then you love us, we you, and we'll clasp hands:

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow:

All things rejoice in youth and love, The fulness of their first delight! And learn from the soft heavens above The melting tenderness of night.

Maiden, that read'st this simple rhyme, Enjoy thy youth, it will not stay; Enjoy the fragrance of thy prime, For oh, it is not always May!

Enjoy the Spring of Love and Youth, To some good angel leave the rest; For Time will teach thee soon the truth,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Episode Under the Terror by Honore de Balzac:

clumsily built staircase, with a rope by way of a hand-rail. At the door of the lodging in the attic she stopped and tapped mysteriously; an old man brought forward a chair for her. She dropped into it at once.

"Hide! hide!" she exclaimed, looking up at him. "Seldom as we leave the house, everything that we do is known, and every step is watched----"

"What is it now?" asked another elderly woman, sitting by the fire.

"The man that has been prowling about the house yesterday and to-day, followed me to-night----"

At those words all three dwellers in the wretched den looked in each

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mysterious Affair at Styles by Agatha Christie:

who sets out to poison his wife. He has lived by his wits as the saying goes. Presumably, therefore, he has some wits. He is not altogether a fool. Well, how does he set about it? He goes boldly to the village chemist's and purchases strychnine under his own name, with a trumped up story about a dog which is bound to be proved absurd. He does not employ the poison that night. No, he waits until he has had a violent quarrel with her, of which the whole household is cognisant, and which naturally directs their suspicions upon him. He prepares no defence--no shadow of an alibi, yet he knows the chemist's assistant must necessarily come forward with the facts. Bah! do not ask me to


The Mysterious Affair at Styles