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Today's Stichomancy for Ice Cube

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Philebus by Plato:

pleasures of smell, having no association of mind, or perhaps to have divided them into natural and artificial. The pleasures of sight and sound might then have been regarded as being the expression of ideas. But this higher and truer point of view never appears to have occurred to Plato. Nor has he any distinction between the fine arts and the mechanical; and, neither here nor anywhere, an adequate conception of the beautiful in external things.

7. Plato agrees partially with certain 'surly or fastidious' philosophers, as he terms them, who defined pleasure to be the absence of pain. They are also described as eminent in physics. There is unfortunately no school of Greek philosophy known to us which combined these two characteristics.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lost Princess of Oz by L. Frank Baum:

bounded so swiftly from one to another without getting hurt."

"That is all guesswork," declared the Wizard, unwinding the blankets from his body, "for none of us stayed long enough on the mountains to discover what they are made of. But where are we?"

"That's guesswork," said Scraps. "The shepherd said the Thistle-Eaters live this side of the mountains and are waited on by giants."

"Oh no," said Dorothy, "it's the Herkus who have giant slaves, and the Thistle-Eaters hitch dragons to their chariots."

"How could they do that?" asked the Woozy. "Dragons have long tails, which would get in the way of the chariot wheels."


The Lost Princess of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gambara by Honore de Balzac:

revealed the immense horizons of a world in which he found himself for the first time, though recognizing it as that he had seen in his dreams. He fancied himself transported into the scenery of his native land, where that beautiful Italian landscape begins at what Napoleon so cleverly described as the /glacis/ of the Alps. Carried back by memory to the time when his young and eager brain was as yet untroubled by the ecstasy of his too exuberant imagination he listened with religious awe and would not utter a single word. The Count respected the internal travail of his soul. Till half-past twelve Gambara sat so perfectly motionless that the frequenters of the opera house took him, no doubt, for what he was--a man drunk.


Gambara
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A treatise on Good Works by Dr. Martin Luther:

all their diligence and effort to do and to leave undone what their over-lords desire of them, that they do not allow themselves to be torn or driven from this, whatever another do. Let no man think that he lives well or does good works, whether it be prayer or fasting, or by whatever name it may be called, if he does not earnestly and diligently exercise himself in this.

But if it should happen, as it often does, that the temporal power and authorities, as they are called, should urge a subject to do contrary to the Commandments of God, or hinder him from doing them, there obedience ends, and that duty is annulled. Here a man must say as St. Peter says to the rulers of the Jews: "We